A Study On Edward Yang’s Movies Under The View Of "Author’s Movies"

The "author film" theory originated from the French "New Wave" film movement,which emphasizes the dominant position of the director’s personality in film production,pays attention to the development of the director’s personal style,encourages personalized creative experiments,and highlights the creation theme of the film director.The profoundness of the "author’s film" theory lies in the importance of the film director’s dominant and overall control over the film in the creation process,which has a profound influence on the film creation of Chinese filmmakers.Looking at the film history of Taiwan in China with the theory of "author’s film",it can be found that Edward Yang’s film creation conforms to the requirement of "author’s film" theory for the subject position of film director’s creation,and has been practiced consistently and formed the individualized style of director’s film art.Therefore,in exploring personalized film creation practice,Edward Yang made bold innovations and attempts on the film language and art at that time,showing the individual aesthetics,individual tastes and individual literacies of film creators one by one,and having a distinct consciousness of "author’s film".This thesis takes Edward Yang’s film works as the research object and the theory of "author’s film" as the starting point.Based on the understanding and interpretation of the theory of "author’s film",this thesis analyzes the theme implication expressed by Edward Yang in his film creation and the innovation of audio-visual art style,and probes into the uniqueness of Edward Yang’s "film writing".The structure of the article is divided into three parts: introduction,text three chapters and conclusion.The introduction mainly introduces the background of the topic,the significance of the research and the research status of "author’s film" theory and director Edward Yang at home and abroad.Explain the research idea of this paper,and clarify the research methods,problems to be solved and innovation points.Chapter One,author film theory and Edward Yang’s film.This paper explains the general view of Yang’s "author’s film" creation,introduces in detail the influence of "author’s film" theory on Taiwan’s new film movement and the causes of the formation of Yang’s authorship in his film creation,and shows Yang’s "author’s film" in detail.The second chapter,"author’s film" under Edward Yang’s film theme implication.Taking Edward Yang’s film texts as the research object,based on the thematic implication of Edward Yang’s films,through the analysis of the literary expression of Edward Yang’s films,such as the discussion of identity,the inquiry of the conflict between the old and the new culture and the reflection of social change,the profound author film connotation of Edward Yang’s works is explored.The third chapter,"author’s film" under Edward Yang film audiovisual art style.This paper analyzes the audio-visual artistic style of Edward Yang’s film creation under the guidance of the "author’s film" theory and the presentation of literary character in the film text.The parallel editing of the relationship between sound and picture expands the space and reveals the inner heart of characters.Personalized visual processing,pay attention to the geometric composition of the connotation of the beauty of the white,the objective display of fixed long lens and the documentary characteristics under natural light;This paper discusses the stylized presentation of Edward Yang’s auditory language in the film,and uses the dialog-style characters in literary paragraphs to show the rare literary significance of big-screen works.The author characteristics of Edward Yang’s films are demonstrated by the proper music arrangement and the maximization of the characters’ emotions.