Pierre Bonnard(1867-1947)was active in the late 19 th and early 20 th centuries and was one of the representative painters of the Nabi School.The style of his works is unique and innovative,with novel and unique space styles,fresh and pleasing colors,and flexible and casual brushstrokes,which make the pictures show a strange and charming effect,reflecting the rich and harmonious aesthetic sense of form.He is fond of depicting indoor life themes,often immersed in his personal space,and fascinatedly depicting his inner world.Under the various artistic trends in the early 20 th century,he insisted on himself,maintained a pure and enthusiastic attitude towards painting,and formed a unique painting language.Based on the study of Pierre Bonnard’s pictorial form language,this paper takes the author’s surrounding life and his own perception as the starting point,and focuses on the use of formal language in the creation of the "Small World" series of oil paintings.The structure of the article is divided into three parts: the first part discusses the research status at home and abroad,the source and innovation of the topic selection;Three aspects of brush strokes are used to analyze the characteristics of the formal language of Bonnard’s indoor scene paintings;the third chapter is the focus of this paper,from the selection and conception of materials,the refinement of implicit structure,the exploration of picture space,the creation of indoor atmosphere,and the adjustment of rhythm and rhythm.Reflecting these five aspects,I will specifically analyze the inspiration of the formal language characteristics of Bonnard’s indoor scene paintings to the creation of the "Small World" series.Finally,through the study of the formal language of Bonnard’s interior scene painting,I will reveal the way of its emotional expression,the spiritual connotation and aesthetic value conveyed by the painting,and integrate the research results into my graduation creation... |