Research On The Spatial Expression Of Culture Audio-Visual Programs In The Context Of Mobile Communication

From radio to film and television,and then to mobile Internet,technology is constantly innovating,and society is also undergoing structural transformation,so people’s information receiving space is also changing from a fixed and rigid space to a fluid and fragmented space.In the context of mobile communication,technology has blurred the boundary between real space and virtual space.People walk in these two spaces and become the node connecting the two spaces,combining virtual and real,fluid and fixed,which means that the creative practice of cultural audio-visual programs is reconstructed by new spatial patterns.The excellent traditional Chinese culture is the spiritual lifeblood of the Chinese nation,and an important source for cultivating the core socialist values.Also,it is a solid foundation for us to stand firmly in the world cultural turbulence.In the context of mobile communication within which information is increasingly fragmented and fluid excellent traditional Chinese culture must also be brought into modern society.General Secretary Xi Jinping has repeatedly stressed the need to promote the creative transformation and innovative development of excellent traditional Chinese culture,and to activate the vitality of excellent traditional Chinese culture with the spirit of The Times.In view of this,it is important for the producers of cultural audio-visual programs to carry out innovative integration and reconstruction of new spatial forms.This paper takes a series of "Chinese Festival" programs of Henan TV as research cases,and comprehensively uses the theory of space production to analyze what kind of space patterns and attributes have been shaped by technology in the context of mobile communication.Based on Lefebvre’s "Triadic Dialectics",the construction process of program space is analyzed in detail,so as to answer the questions of how cultural audio-visual programs can promote program production through the integration and reconstruction of space.And then combined with the theory of spatial narratology,this paper explores how creators promote program narration with the help of space and how audiences decode and expand offline space form a more macro perspective,so as to drive the development of cultural tourism and cultural innovation industry.It provides a new thinking for the creation of cultural audio-visual programs in the context of mobile communication,and also provides a useful reference for the creative transformation and innovative development of traditional culture.