Chen Xianfa’s Poetry World

It has been more than 100 years since the emergence of modern new poetry.In the past 100 years,poets have made great efforts to explore and liberate it from the shadow of western modern poetry and classical poetry.Since the new century,domestic thought gradually "diversity",voices intertwined,present a cacophony of modern new poetry "prosperity",in spite of this,some people still in creation,seriously not infatuated with authority,not only classic,refused impetuous,to create "aboriginality" of modern Chinese poetry,Chen Xianfa is one of them.Chen Xian-fa’s poetry not only tries to get rid of the shadow of European and American poetry,but also tries to avoid flatness and straightness.He recreates the "self" of modern new poetry with new techniques and creatively generates "Chen Xian-fa style" poetry.From the perspective of poetic art and aesthetics,this paper investigates the main features of Chen Xianfa’s poems,explores the poetic personality of Chen Xianfa’s poems and clarifies the layout of his poems’ creation by comprehensively using literature research method,case study method,inductive summary method and comparative method.The introduction gives a brief account of Chen Xian-fa’s poetics,draws the "independent kingdom" of Chen’s poetry,and summarizes the research status of Chen’s poetry from four aspects: text,type,creation state and creation value.The text is divided into four chapters.The first chapter studies the intellectual intervention of Chen Xianfa’s poems to the world,introduces the themes and content of Chen Xianfa’s poems,and excavates his thoughts on special "elements".The second chapter studies Chen Xian-fa’s exploration and originality in poetic language,form and technique,analyzes the characteristics of language and the "experimental" of form,such as the innovation of "line style","repeated" rhetoric,etc.,studies Chen’s unique rhetoric art,and points out that it is different from the traditional rhetoric "modification".The third chapter studies the metaphor,irony,image and "image group" of Chen Xian-fa’s poems,first reveals the general style of Chen’s poems: both fresh and lively temperament,but also full of complicated and dense atmosphere;Secondly,it analyzes Chen’s metaphor and irony.Thirdly,the unique images of Chen’s poems--willow,bird and fish are analyzed.Finally,the characteristics of "image group" are analyzed from three aspects: "life flow","plant" and "bird".The fourth chapter studies Chen Xianfa poetry,pioneering Chen Xianfa poetry is with "aboriginality" pioneer in poetry,this "aboriginality" differs from "localization","aboriginality" is the national character,belongs to the national native quality,and the "localization" is relative to the case of "westernization",is "local" or "reuse",nature is the difference between the two."Native" is not only the expression of traditional resources,but also a new avant-garde.This paper mainly probes into Chen’s avant-garde consciousness from three parts: the writing of "Yuan poetry";"Poetics of Life";"Native" problem.Based on the local area,Chen Xianfa wrote "Chinese poetry",neither overflowing lyric,nor taking poetry as a pure tool,and walked out of a new way of poetry writing.In writing in a new era of the media,the poet’s moral consciousness and bear spirit is particularly important,which to a certain extent,has become the present some poets the lack of good quality,and on this basis to have exquisite writing technology is bring readers aesthetic level of the new ascension,this article was to explore the characteristics of poetry at the same time,also pointed out that this way is unique,And the possibility of future development of modern new poetry.