Research On Several Issues Of Second Creation In The Performance Of The Pipa Concerto "Late Autumn"

As a traditional plucked instrument with a long history in China,pipa has its own characteristics and tension,whether it is expressed in music,emotion or artistic conception.Pipa concerto Late Autumn is a pipa concerto composed by composer Li Bochan in 2014.Its feature is to highlight the emotional characteristics of the composer and lyricist’s unbalance and melancholy through the title creation technique.The song combines Chinese tonality with Western composition techniques,Chinese structure and pop music features to create a thick and colorful autumn farewell picture.From the perspective of second creation,this paper discusses the uniqueness and innovation in accordance with the combination of rationality and sensibility.It expounds the performance method,music image,music emotion and other aspects respectively,and expresses the performance practice through words.This paper is divided into four parts,respectively--the introduction of composer Li Bochan and the creation background of music "Late Autumn";Behind the title piece "Late Autumn",the writing techniques used in Xin Qiji’s poem "Chou nu’er·Shu bo Mountain and Road Zhong bi" are compared with the composer’s writing techniques,and the internal relationship between Ci and music emotions.In addition,this part also analyzes the author’s creative intention and positioning of the work.Turn--Theoretical analysis of the composition characteristics and structure of the music;Combination--the author’s own statement and analysis of the first work in rationality and sensibility,technique and expression.In this paper,the author respectively discusses the second creation concept and emotional connotation used in the work,giving the work more profound connotation and practical significance.