| Hong Ren’s landscapes are free from the framework and constraints of many fixed landscape painting forms,and he is a ground-breaking painter who has learned from both the past and the present,as well as from his rich emotional personality,thus forming a unique artistic outlook on painting.The expressive power of simple lines and the liberating power of geometric forms in his paintings reflect a formal beauty,and this avant-garde language of object modeling is a breakthrough for traditional techniques,with advanced modernist characteristics.In traditional Chinese landscape painting,many works use the majestic landscapes of the north as the subject matter for diverse chops and light reddish-red ink and wash,but few use the combination of Hongren’s figurative form and modern coloring to create works that have been written about.This thesis takes as its starting point the study of Hongren’s figurative landscape language-rocks,clouds,and trees-and,elaborates on its value and specificity in terms of ink and brush lines,form and shape,the rhythm of arrangement,and conveyance of mood,and analyses the novel effect of modern color in Hongren’s unique This is a comprehensive analysis of the feasibility and superiority of the novel effects of modern color in Hongren’s unique object-shaped landscapes.In addition,through a study of Hongren’s classic landscape works,he creates a landscape painting based on the colors assigned to this figurative form,incorporating modern aesthetic colors to replace chops and fill in the gaps in the simple and blank northern style,maximizing the charm of color,and elaborating on the creative ideas,chapter layout,colors,mood and the innovative embodiment of tradition and modernity in his works,which is the main content and focus of this paper.main research content and focus.The study of Hongren’s landscape art is not only a source of appreciation for the author but also a foundation for his artistic path,which is of great value and inspiration for the author to summarise his experience based on tradition and combine his own aesthetic and emotional choices in pursuit of his artistic language.Of course,in this creative learning process,I have also seen my shortcomings and made reflective corrections,to develop more new ideas and present more new works with my style in my future painting research and study. |
