Landscape Of Mountains: The Cultural Practice Of Miao Territory Nationalization In Western Hunan During The Ming And Qing Dynasties

This paper tries to explain how the Miao territory in western Hunan went into the state from the wilderness of the discrimination between The Chinese and the barbarians,and how the local ethnic groups and traditional scholars made full use of their own history and cultural traditions to complete the diversified expression of national identity in the process of entering the state.And how to show the cultural practice that western Hunan area was integrated into the dynastic country through the creation and repetition of the mountains and rivers,Fengshui stories and the creation of many landscapes.Since The Ming and Qing Dynasties,with the frequent "miao Change" and the dynastic state for "miao change" determination,through the chieftain,military repression,resettlement and set up prefecture-level counties and other measures,the West Hunan Miao Border gradually from the wilderness into the territory of the dynastic state.In this process,on the one hand,based on the historical and cultural traditions of the ethnic group,local people created a large number of Fengshui stories of "anti-king" with the main content of rebellion against the "emperor",and attributed the root of such events to the strange mountains and rivers in the shadow of "Caokou".,on the other hand,in order to pacify the "Miao",local governments in western Hunan scenic zone built walls and a large number of shao fort residential towers,and establish the market,the world temple,through "Shinto set teaching" to push the social and cultural transformation of western Hunan scenic area,the build of "works" nature also became the state power is constantly penetrating western Hunan scenic area the important landscape image.In addition,with the auxiliary line of culture and education,the local scenery has gradually entered the vision of the local scholar group,has become the residence of officials and local scholar groups competing to chant and express the "scenery" of the heart,and even as a local or regional flaunts the important symbol of culture and education regulations.All in all,this article set since the Ming and Qing dynasty and the construction of a large number of "works" and as well as by the local people legend lines of mountains and rivers view as "landscape",and will focus on analyzing these legends "landscape" the story behind the history of the present state and the cultural schemata,analysis how it affected the practice of scenic western Hunan ethnic choice and cultural expression,And how the continuous transmission and re-creation of "mountains and rivers" stories become the cultural practice of local people to give full play to their initiative to integrate into the dynastic state.