A Study On The Acceptance Of Zhang Ji’s Poetry In Song Dynasty

As an important poet in the middle Tang Dynasty,Zhang Ji’s poetry has been in the spotlight since its inception.Since the twentieth century,research on Zhang Ji has become increasingly informative,but most researchers have focused more on Zhang Ji and his poetry and less on his reception.Therefore,this paper selects the Song dynasty as a specific era,attempts to systematize the literature on Zhang Ji in the Song dynasty,and applies the theory of acceptance aesthetics to analyze the overview of Zhang Ji’s poetry dissemination,the evaluation of Zhang Ji,the parallelism between Zhang Ji and others,and the reception of Zhang Ji in Song people’s creation,combining the study of interpretation history mainly by poetry critics and poetry selectors and the study of influence history mainly by poet creators,with the intention of constructing a comprehensive history of Zhang Ji’s poetry acceptance in the Song dynasty.In the Song Dynasty,written transmission,mainly in the form of separate collections and anthologies,became the main mode of transmission of Zhang Ji’s poetry.Zhang Ji’s poetry collections appeared in several editions,including a three-volume version,an eight-volume version,and a twelve-volume version.At the same time,the selection of Zhang Ji ’s poetry in the poetry anthology represented by the “ Tang Wencui ”“Yuefu poetry anthology”“ Ten Thousand Tang Quatrains ” shows the enthusiasm of the Song people for Zhang Ji ’s poetry.Compared with the Tang and Five Dynasties,the Song people’s criticism of Zhang Ji was further improved.The Song dynasty’s poetic discourse,as well as poetic texts and other materials,include discussions of Zhang Ji’s person and his poetry.They have intensified their attention to Zhang Ji’s person,in the poetic discourse and poetry,they constructed an image of a poor,blind and upright disciple of Han.In addition,their discussion of various aspects of Zhang Ji’s poetic origins,style,and specific pieces greatly enriched the reception of Zhang Ji ’s poetry.At the same time,there are cases in which Zhang Ji is referred to together with others in Song dynasty literature,and that as a form of literary criticism unique to China,it should also belong to the link of criticism in the process of reception.On the one hand,this shows the awakening of the Song poetic school consciousness,and on the other hand,it has some significance for the study of Zhang Ji’s poetic school affiliation.The Song also put their acceptance of Zhang Ji’s poetry into concrete creative practice,including the way of rhyme,utilization,collected sentences,and imitation.Besides,the simulated creation of his poetry by poets represented by Wang Anshi,Zhang Lei,Zhou Zizhi,and Xie Ao showed the prosperous situation of the acceptance of Zhang Ji’s poetry in the Song Dynasty.