Thematic Interpretation Of Nostalgia Emotions In New Century Chinese Rural Films

In the depth of human emotion,nostalgia is a strong emotion throughout history and across time and space.It is deposited at the bottom of human cultural and psychological structure and interpreted in various artistic styles,mainly poetry and prose.In the history of Chinese culture,nostalgia connects the ancient and the modern,deep and vast.It is also an eternal memory hidden in the hearts of Chinese people,or even a kind of collective unconsciousness.The research method of thematics is suitable for large-scale and categorical text analysis,and it is feasible to use thematics as the methodology to decipher the puzzle of nostalgia.Since the beginning of the new century,there have been many expressions of nostalgia in rural films.Therefore,the analysis of the interpretation of nostalgia in these rural films will help us to have an overall cognition of the local world and the feelings of villagers.This paper takes nostalgia in Chinese rural films in the new century as the research object,discusses the generation mechanism of nostalgia by using the principles and methods of thematics,and explains the interpretation types of the theme of nostalgia in films from multiple dimensions.In the introduction part,this paper explains the research background,research object and research significance of the topic,and then sorts out the research status of relevant topics at home and abroad,and tries to grasp the academic research trends in an overall way.The main part of the thesis is divided into three chapters.The first chapter combs the artistic characteristics of rural films in the new century,and then explores the formation mechanism of nostalgia,and shows that the images of hometown,emotional remembrance and temporal and spatial changes will promote the generation of nostalgia.At the same time,it explains what nostalgia is and analyzes the thematic connotation and realistic context of nostalgia.The second chapter takes the rural films since the beginning of the new century as the specific analysis object to explore several types of subject interpretation models of nostalgia,that is,to analyze the surface structure of the theme of nostalgia.The first type of interpretation focuses on the question of "where is my hometown?" To the wanderer in the city,the marginal people in the countryside,and the nostalgia in the situation of the state.The second type of interpretation mode focuses on the theme that the subject wants to return home but cannot.Due to the call of wild nature and the dilemma between public and private,it is difficult for the subject to return home.The third type of interpretation focuses on the analysis of the subject’s acceptance of the region outside his hometown,that is,whether the subject can take the place outside his hometown when seeking inner peace.The third chapter focuses on exploring the deep meaning conveyed by the theme of nostalgia,that is,the construction of the theme of nostalgia in the aspects of national identity,eclogue complex and elegy complex,and pleasure sense culture.By analyzing the representation of nostalgia in the film,it is clear that these deep meanings will remain in the emotional structure of Chinese people for a long time.The conclusion part reviews and summarizes the whole paper.