Analysis On The Series Of "Imprint On One’s Mind"

Traditional Chinese painting does not mean to express the self,the picture only does not see the self,and the self is hidden in the painting.This traditional mode of thinking and expression was broken only after the integration of the Eastern and Western modern contexts.When self-consciousness is injected into the individual,the "expression of self" of the subject of the picture is no longer hidden,but faces the viewer directly,as the expression and narration of self-emotion.Self-expression in works is the core spirit of Western modern painting,and it is also becoming a path and trend of contemporary ink painting.The spirit of the ink expression and humanistic feelings of the narrative,seems to have become the bottleneck of the development of Chinese painting,the inherent landscape pattern,the fixed pattern of flower and bird painting,as well as the fixed model of the figure painting,has been framed by regulations and dogma,can be extended space is not large.Transforming ideas,allowing the main content of the work to return to the expression of self-emotion,and connecting the viewing Angle with the inner feeling,may be more in line with the contemporary aesthetic context.To this end,this paper takes the series of "Heart Impressions" as the research object,analyzes the intention and original intention of creation,takes "expressing my intention" as the main line of creation,and adopts the form of expression combining Chinese and Western.The research content covers the three items of landscape,flowers and birds,and characters,and carries out a lot of practice through many qualitative and quantitative methods,such as transforming composition forms,choosing brush and ink,and using materials.Then the initial establishment of "express my intention" personalized art style.