Northeast Comedy Film Narrative Research In The New Century

Recently,the upsurge of regional film studies has become an important trend in Chinese film studies.Northeast films play an indispensable role in domestic films.Its diversified film elements are frequently shown on the screen,forming a unique image style and becoming an important expression of the Northeast’s local external publicity.Based on the call of The Times in the context of globalization,Northeast film research has become a valuable force for the reconstruction of Chinese film history and the enhancement of literary connotation.Comedy culture is an important foundation of Northeast culture.The Northeast comedy film has rich structure and diversified forms,which is representative in the research of Northeast regional genre film.With the continuous transformation of social development,the Northeast comedy film has shown its unique narrative mode since the new century.This thesis will comprehensively apply narratology,such as low-level narrative,spatial narrative,narrative psychology and other relevant theoretical knowledge to analyze the classic works of Northeast comedy films in the new century.The research is mainly carried out from three aspects.First of all,it defines the concept and basic connotation of comedy films and Northeast films,determines the division range of Northeast comedy films in terms of region and subject matter,summarizes the economic structure and production mode reform of Northeast China while understanding the concept of Northeast Renaissance,summarizes the current characteristics of Northeast comedy films in the current context,and plays a role in the narration research of later films.Secondly,narrate theory is reasonably applied to regional comedy films--text interpretation with northeast comedy films in the new century as the research object,and the narrative content,narrative strategy,narrative emotion and other perspectives of Northeast comedy films in the new century are analyzed with examples,in contrast with films before 2000.It provides new ideas and paths for narrative innovation of domestic comedy films and regional genre films in the future.Content: By analyzing and disintegrating the narrative content of comedy films,the narrative tone of tragicomedy and the narrative categories of multiple aesthetics are divided.With the main melody,industry,rural and humanitarian topics as the research blueprint,the author experiences the narrative differences and realistic narrative characteristics under different themes from the perspectives of characters’ fate,family ethics and realistic warmth.Strategy: To interpret the low-level narrative structure presented by the film from the perspective of "little people";To interpret the narrative and plot structure of the film from the perspective of folk culture;Seek a new mode of regional comedy film from the narrative change of localization,network and commercialization.In terms of emotion: This paper summarizes the conclusions obtained from the study of Northeast comedy film texts,applies the understanding and analysis of the text content to the emotional expression of film narration,analyzes the aesthetic transformation in the film shot,sound and scene,and experiences the emotional resonance under the local plot and the realistic consideration under the humanistic spirit.Finally,the spiritual connotation of Northeast comedy films is mapped to the research of other regional films and comedy films,and specific suggestions are put forward for the future development and creation of Northeast comedy films.From the perspective of narratology theory,this paper takes Northeast comedy films in the new century as the research object,takes film narration as the research subject,and summarizes its unique narrative value.Taking Northeast comedy film as the specific epitome of regional film development,this paper analyzes the fundamental realistic significance and creation orientation of Northeast comedy film,and gives consideration to the future forward strategy of Northeast comedy film and regional genre film.