Luo Fu And Yu Guangzhong’s Poem Research

Since the May 4th New Culture Movement,Chinese new poetry has not stopped the pace of progress and exploration.From being optimistic to growing,Chinese new poetry is more and more stable and further away on the road of modernization,and increasingly integrated and mature in the integration of westernization and nation,and tradition and modernization,which are inseparable from the unremitting efforts of Chinese poets.Luo Fu and Yu Guangzhong,two great poets of Taiwan Province,can be regarded as outstanding representatives on the road of modernization of Chinese new poetry.In the realization of the modernization of Chinese new poetry and the integration of Chinese and Western poetry,tradition and modernity,the two people have always had a conscious pursuit and perfect performance.Luo Fu once said:"I spent my life pursuing the reference and integration of Chinese poetry and western poetry,and hoped to derive a new thing,——Chinese modern poetry,or modern Chinese poetry."Yu Guangzhong also has a similar consciousness,and has been committed to realizing " the modernization of Chinese poetry "and" the the Sinicization of modern poetry "——They seem to have two dimensions,in fact,they are essentially unified from the perspective of realizing the modernization of Chinese new poetry.Given Luo Fu and Yu Guangzhong had same poem destination and on the trajectory of similarities and complementation,this paper decide to focus on two people at the same time,through their"constantly occupancy,and constantly abandonment"on multiple poetry development track,we devote ourselves to explore their beneficial enlightenment and important experience of poetry creation to realize the modernization of Chinese new poetry.To realize the modernization of Chinese new poetry,They have made multiple and"fickle" explorations on their long path of poetics:from the beginning of writing to the mid-1950s,with both the romantic feelings of the youth,at the same time,and crying out for the injustice of the social reality,thus presenting the poetic style of the intersection of romance and reality;Around the mid-1950s,the two were influenced by the modernist poetry wave in Taiwan,dropping in the vortex of modernism at the same time.At this time,Luo Fu created the surrealist poem:the Death of the Stone Room,Yu Guangzhong has also published a number of works with the modernistic style,Until after the birth of the Canicula,gradually returned to the "neoclassical" tradition.Because of controversy in this poem,they parted company each going their own way.It was not until the 1970s that Luo Fu and Yu Guangzhong met again and converted to the poetics path of classical and modern integration and the combination of reality and Zen.This paper focuses on the two life experience,times and poetry ideological background and the transformation of poetic views,combines with the literary theory and the analysis of the classical poetry text,discusses the two people’s gain and loss,and similarities and differences in the poetic trajectory,and contact the present situation of Chinese new poetry modernization development,makes further reflection and outlook.