Research On Regional Themes Of Flower-and-bird Paintings In Heilongjiang From The Early 21st Century To The Present

Heilongjiang flower-and-bird painting is an important part of China’s flower-and-bird painting art framework,which can face the new cultural reality in today’s environment together with China’s flower-and-bird painting art,thus showing diverse humanistic painting ideas and spiritual and cultural connotations.The unique aesthetic concept and regional characteristics of flower-and-bird painting in Heilongjiang Province have promoted the development of painting art in Heilongjiang Province.Since the beginning of the 21 st century,China’s Heilongjiang flower-and-bird painting has undergone various forms of renewal and evolution in the process of innovation and development of painting art in China,extending the corresponding theme characteristics of flower-and-bird painting based on the local culture of Heilongjiang,showing the spirit of ecological civilization unique to northeast Heilongjiang to many flower-and-bird painting lovers and workers,and leading the new painting art changes and cultural accumulation.The research framework of this paper consists of four important parts: The first part shows the main source basis of this paper by analyzing the introduction part of the paper,analyzes the background of the current research on this topic,explores the corresponding development of the research,and combs the corresponding knowledge of Heilongjiang flower-and-bird painting in the 21 st century,laying a good foundation for the research content of this paper.In the second part,this paper explores the characteristics of theme selection in Heilongjiang flower-and-bird painting creation Since the beginning of the 21 st century,including the characteristics of wild ice and snow theme and humanistic spirit theme.And take the artistic style and performance of the representative painters who created the theme of flower-and-bird painting in Heilongjiang as the main research thread of this paper.This paper studies the influence of Heilongjiang regional resources on the theme of flower-and-bird painting,the influence of artists’ humanistic feelings on the theme selection,the influence of cultural policies on the theme selection,and the influence of style orientation on the theme selection,as well as the diversified regional style of Heilongjiang flower-and-bird painting.Finally,it explores the painting style of Heilongjiang flower-and-bird painting creation group and the corresponding embodied expression,so as to pay attention to the group regional characteristics of Heilongjiang flower-and-bird painting since the 21 st century and establish the corresponding painting style.The third part analyzes the future development trend of flower-and-bird painting in Heilongjiang province studied in this paper,and explores the influence of the theme of flower-and-bird painting in Heilongjiang province on social development,regional value and traditional painting from various perspectives such as geographical value,social value and cultural value,and expounds the corresponding results in detail.The fourth part,that is,the summary of this paper,summarizes the corresponding value of Heilongjiang flower-and-bird painting in the overall development process Since the beginning of the21 st century by combing the overall research content and the main line of research ideas,and analyzes and supplements the lack of literature and data achievements on Heilongjiang flower-and-bird painting at present,aiming at helping the development of related art and culture to play a corresponding role.Through the detailed analysis of the diverse themes,features,form sand contents of the flower-and-bird paintings in Heilongjiang,and the understanding of their symbolic meanings,to explore the special charm of flower-and-bird painting in Heilongjiang Heilongjiang by exploring the themes of flower-and-bird painting in a bold way that breaks with traditional research concepts and combines with the modern painting aesthetics of the present era,the representative and typical flower-and-bird paintings in Heilongjiang and the forms of painting creation are integrated with the writing of the thesis,thus providing a practical theoretical basis for the research point of view of this thesis.