Research On Maoqiang Music In Wulian Are

The Wulian area Maoqiang is a local opera with unique local characteristics spread in the Wulian area,and is known as the "flower of Jiaodong".In 2016,Wulian Maoqiang was declared as the intangible cultural Heritage protection list of Shandong Province and was included in the protection project.The artistic charm of Maoqiang in Wulian area is worth our study.Based on the first-hand information obtained from the field research and guided by the relevant theories of ethnomusicology,this paper conducts a case study of Maoqiang in Wulian area.By comprehensively using literature research,field investigation and music form analysis,this paper studies the origin and development of Maoqiang,the music form of Wulian area,the relationship between them and the aesthetic characteristics and cultural basis of Maoqiang music in Wulian area,and finds that:1.Mao qiang music in Wulian area originated from the girl qiang in Shandong province.Its development stage has experienced three stages of this elbow drum,the elbow drum and Mao cavity.The author conducted a field investigation on the existing Maoqiang Opera Troupe in Wulian area.There are 11 major Maoqiang opera troupes in Wulian area,including professional and amateur Maoqiang Opera troupes,among which the most representative professional Maoqiang Opera troupe is Wulian Maoqiang Opera Troupe.Wulian County Maoqiang Troupe first developed from Gaomi Qunli Maoqiang Troupe and folk music Troupe into Jiaonan "Tongle Maoqiang Troupe",and finally formed Wulian County Maoqiang Troupe.2.The structure of music is mainly divided into qupai body and plate cavity.The main cavity type has two eye start and tail chamber type and roof single cavity type.The artistic characteristics of music are mainly the rhythm of "grabbing the word" and "hiding the flash board from the word",the freedom of the tone,the melody of the flower embellishment,and the jump of the sound interval.The timbre is mainly dumb,crying,sharp and nasal.Commonly used ventilation skills are stealing gas,sighing,choking gas and stopping gas.3.The relationship between basic sentence pattern and singing mainly realizes the change and development of the rhythm of singing music by splitting music.The relationship between changing sentence pattern and singing can be divided into three forms: "cap wearing","stack adding" and "tail adding" and tail adding ".The relationship between the single tone and tune in Wulian area is mainly divided into word tone and half smooth and half back type,and the singing follows the law of"doing tone according to the word".When different characters are connected with each other,its cavity follows the following rules:(1)Yin and Yang are connected —— Yin low Yang high.(2)—— low and high.(3)Yin to connect —— Yin high to low.(4)Yang connected —— Yang low on high.(5)Yang to the connected —— Yang high to low.(6)go up to connect —— on high and low.In terms of the relationship between melody and intonation,the melody line of the singing of the rising sentences is upward,and the melody line of the sinking sentences is characterized by downward.Singing habit stress and logical stress often high pitch,longer value,often appear decorative moistening cavity.4.The aesthetic characteristics of singing are mainly the free beauty of rhythm,the harmonious beauty of structure,the sad beauty of melody and the tragic and stirring beauty of singing.The aesthetic characteristics of his music are influenced by the aesthetic view of "writing spirit by shape and vivid spirit" in the spirit of Chinese traditional aesthetic art.