Artistic Characteristics And Singing Style Of Opera "Road After Road Comes Road After Mountain"

Opera "Liu Hulan" is a classic red revolution opera,its creation not only reflects the background of The Times at that time,but also reflects the artistic characteristics of the opera at that time,which is of great significance to the development of Chinese opera,laying a solid foundation for the development of Chinese opera in the future and providing good creation materials.The author through the consult literature material,using,a variety of research methods,such as,for example,conclude and summarize,passages of opera "Liu Hulan" and "series water turned to a mountain",art features and detailed analysis has been done for the singing,style,with Guo Lanying sang,as an example to extract from the singing style of the journal series water turn to a mountain has made the detailed analysis.I hope that through the writing of this paper,I can have a more comprehensive understanding of the opera,enhance my writing ability,and improve my artistic accomplishment and singing level.on the one hand,by discussing the research purpose and significance of the subject,the author analyzes the research status of the opera Liu Hulan,and provides historical theoretical basis for the selection on the passage of water to a mountains.on the other hand,through the careful study of the selected section of "A road of water to a road of mountains",strengthen the author’s understanding of the opera selected section type works.Finally,the author makes a detailed analysis of the third and fourth chapters,in the third chapter,the author of the artistic features of the journal series water turned to a mountain and singing skills has carried on the detailed analysis and discusses,is the key chapter of this article,including the use of music in Shanxi,such as,Shanxi folk songs clapper as well as to the national musical instrument and the reference of west creation techniques,including songs singing skills and pronunciation to rhyme,and speed change,stage performance and so on.The fourth chapter takes the singing version of Guo Lanying,the first actor,as an example,from Guo Lanying’s personal experience,singing style,characterization and other aspects of detailed discussion.