Study On The Application Of "Counter-Exmperience" In Ceramic Art Media Creation

Seventy years have passed since the pottery revolution that erupted in the United States and Japan in the 1950 s,bringing with it a concept of creation completely different from traditional ones,opening up a mode of creation belonging to clay itself with its unique material language,breaking through the dominance of practicality and craftsmanship in traditional ceramics,using clay as a medium and means of artistic expression,and forming a system of pottery media.However,today,more than seventy years later,the creation of the ceramic medium is still dominated by traditional experience,and the perception of pottery is still in the conventional system,thus fettering the development of the ceramic medium.In the context of globalization,the spread of information and the emergence of new technologies,the social environment and the cognition in the field of pottery have undergone great changes,and the pottery medium is facing unprecedented challenges,with the boundaries between pottery and various disciplines and between the ontological language of pottery gradually becoming blurred,and the perception of traditional experience of things constantly being broken,and in a contrary The traditional empirical understanding of things is constantly broken down and appears in a form of "anti-empirical".Therefore,the study of the "anti-experience" use of ceramic media in creation can help break through the boundaries of ceramic creation,seek new ways of expression and thinking perspectives,and is of great significance in exploring new possibilities of ceramic media.This paper takes pottery medium as the research object,takes "anti-experience" as the theoretical guide,combines its own pottery practice and relevant creation cases,composes relevant research literature at home and abroad,and makes a conceptual clarification and analysis of the pottery medium and "anti-experience" in this paper.The analysis of the characteristics of the pottery medium and "counter-experience" in this paper is done.Through case studies and interdisciplinary research methods,we first analyze the drawbacks of traditional experience-driven creation in the field of pottery and the constraints caused by traditional experience,such as the requirement of hollow creation,atmospheric firing at a fixed temperature,and the means of making objects under the dominance of the four major forms(clay bar,clay slab,billet,and mold).Secondly,we summarize the expressions of "anti-experience" from different artistic creations,and adopt a multi-dimensional reference for the "anti-experience" of pottery media creation.Finally,starting from the ontological language of pottery and the participation of technology,we conclude that the "anti-experience" of pottery medium in creation is mainly manifested in four aspects: the reverse practice of clay,fire and glaze,the re-creation of process defects,the embodiment of tool sensibility,and the expression of pottery forms with the participation of technology,and we try to explore the sustainability of pottery and the intimacy between human and medium through pottery.We also try to explore the future outlook of creation through the sustainability of pottery and the re-establishment of the intimacy between human and medium."Anti-experience" refers to the practice of challenging traditional concepts and breaking with existing perceptions in artistic creation.In the field of ceramics,this means abandoning traditional production methods and aesthetic standards in favor of innovation,experimentation,and exploration.The purpose of choosing this topic is to investigate the use of "anti-experience" in the medium of pottery,to explore new possibilities for pottery creation,and to provide new perspectives and inspirations for the development of the pottery field.