Research On The Image Of Riding Donkey In Traditional Chinese Painting

This paper mainly takes the image of riding a donkey in traditional Chinese painting as the main research object.By collecting and summarizing the relevant data of picture album and painting theory,and using the research methods of induction,iconography and style,the image of riding a donkey in ancient Chinese traditional painting is summarized and analyzed,so as to deeply discuss the changes and rules of the image language of riding a donkey in ancient Chinese traditional painting.This paper is divided into four parts.The first part is the introduction,which mainly describes the research content,research status at home and abroad,research significance,research purpose and research methods.The second part,with the help of the Complete Works of Chinese Painting,sorted out the donkey riding pictures from the Song Dynasty to the Qing Dynasty,and discussed its basic situation combined with relevant literature.The third part is mainly divided into four chapters.According to the division of dynasties,combined with the social background from Song Dynasty to Qing Dynasty,the development and changes of the donkey riding picture are elaborated.Through the analysis of the characteristics of the donkey riding image in each dynasty,the changes of the donkey riding image in different dynasties are discussed.In addition,six donkey riding pictures are selected from the Complete Works of Chinese Painting to make a specific analysis of the image of donkey riding in the paintings,so as to reveal the thoughts and emotions expressed in the paintings.The fourth part summarizes the reasons for the prosperity of the image of riding a donkey in traditional Chinese painting and the embodiment of the complex of seclusion.