| At present,kangwei painting has been studied in depth in China,but most of the research results still stay in the large folk painting system of kangwei painting,or focus on kangwei painting in a specific region,such as Yuanping in Shanxi and Yulin in Shaanxi.However,it is worth mentioning that there are few articles on the art of kangwei painting from the perspective of geographical division in Shanxi,which is a major distribution body of kangwei painting.Moreover,due to the influence of geography and customs,there are obvious differences in the styles of kangwei painting in different regions.In terms of Shanxi,Central has more black and gold green painted tones,southeast has a “full set” combination of decorations,and north has a more subdued,neutral,cool tone.All in all,the art of kangwei painting in northern Shanxi has a more typical value for investigation,both in terms of the rarity of the geographical division and the uniqueness of the regional style.Based on the above characteristics,this paper takes the kangwei painting in northern Shanxi as the research object,collects relevant information by means of survey and data inquiry,and uses a large number of folk kangwei painting photos and literature collected to complete this thesis,of which chapters 3 and 4 are the core contents.While discussing the complex factors influencing the formation of the artistic style of kangwei painting in northern Shanxi,we further elaborate on the overall artistic expression style,techniques and forms of kangwei painting in northern Shanxi from various aspects,such as the content of the subject matter,the composition of the painting space,the ornamentation of the side channels,the colors,the lines and the philosophical ideas contained in kangwei painting.Based on an in-depth analysis of the style and characteristics of kangwei painting in northern Shanxi,the aesthetic characteristics of this art in terms of space creation,composition,layout and picture expression are explored,as well as the artistic values it contains.The purpose of studying the artistic expressions and aesthetic characteristics of kangwei painting in northern Shanxi is to make more people aware of the fact that the regional form of kangwei painting meets the basic needs of the people for practical and aesthetic purposes in terms of content,and also contains the infinite longing for a happy life in terms of ideology,reflecting the distinctive values,aesthetic culture and spirituality of local residents.At the same time,it is expected that future generations will look at kangwei painting from a regional perspective to the larger art system,to feel the powerful artistic flavor based on a deeper understanding of its emergence and development,and to arouse the people’s awareness of protection and inheritance. |
