The Using And Exploration Of The Spalling And Discoloration Feeling In China Ancient Murals In The Expression Language Of Oil Painting

Since oil painting was imported into China,the overall appearance has been changing In the midst of this,among this process,the combination of Chinese traditional culture and oil painting has become the primary work of artists in the new era.In the long preservation process of China ancient murals in China,The murals is experiencing damage and discoloration from natural causes such as wind,rain and smoke;or after experiencing man-made causes such as stripping and other damage caused by the breakage,finally formed a unique aesthetic value of the "new" look.The spalling and discoloration feeling in the ancient murals comes from the special aesthetic feeling brought by watching the "current form" of the existing ancient murals in China.This paper combines literature research,case analysis,field investigation and online investigation the temple murals、cave murals,Combing the origin of spalling and discoloration feeling and the strange and special aesthetic experience it brings,by combining the impact of spalling and discoloration feeling on the field of painting,finally,I try to transform the spalling and discoloration feeling into the expression language of oil painting and present it in my personal oil painting creation.