Study On The Characterization Of Workers Image In Traditional Industrial Documentaries

Industry,with dual property of nature and society,helps human society to create fortune and accumulate deep industrial culture.Traditional industrial documentaries can authentically record industrial development context,display Image of workers and accurately map the current status of workers and the style of contemporary spirit.With the transformation of national economy from the phase of rapid growth to high-quality development,the workers are crucial force of the construction of economy in China,so the characterization of their image in the documentaries is of certain social significance.Therefore,by combining theories of typical theory of character image,reception aesthetics,supported by West of the Track,Great Country Craftsman,Climbing Backbone and other documentary works,this thesis studies the characterization of workers image.This thesis can be divided into the following.Chapter one gives the definition of traditional industrial documentaries and images of workers and analyzes the change of workers image in documentaries.Chapter two,starting from the present situation of the workers and their own image characteristics and inherent national signification,illustrates its performance characteristics.Based on the presentation of external images,this thesis studies the mirror language presentation of workers’ images in the process of documentary creation in chapter three.On the basis of aesthetics of reception,chapter four puts forward the specific strategies of worker image shaping from the aesthetic point of view of the audience.Through combining with the above-mentioned works,graduation work Salt Workers and Their Language is creatively demonstrated in chapter five,so the thesis concretely analyzes from the image of salt workers,color,scene of the mirror language,and the image-building methods used in the works and the limitations in the creation.