Aesthetic Study Of Metaphysical Poetry In Wei And Jin Dynasties

Metaphysical poetry of Wei and Jin dynasties is the crystallization of poetic art based on Wei Jin metaphysics.The creation of metaphysical poetry in the Wei Jin dynasties is an embodiment of rich ideological connotation and aesthetic value.People in the Wei and Jin dynasties can explore their inner world and their attitude towards life.After in-depth study of metaphysical poetry,the author is very confused about the essence of metaphysical poetry.Therefore,combining philosophy,aesthetics and literature,on the basis of metaphysical ontology,this paper makes a comprehensive research and analysis on the aesthetic of metaphysical poetry through the exploration of the subject and object of poetry aesthetic and their relationship,the aesthetic process,the beauty of emotion and reason embodied in poetry,and the poet’s aesthetic ideal.The first part mainly expounds the philosophical construction of the aesthetic subject and the discovery of the aesthetic object of metaphysical poetry,and analyzes the relationship between transcendence and compound of the aesthetic subject and object.In the Wei and Jin dynasties,with the awakening of aesthetic subject consciousness,promted the transformation of aesthetic concept.At this time,the concept of nature is no longer limited to the abstract philosophical category,but has the substantive significance of objective nature,which also promotes the emergence of specific aesthetic objects.At the same time,it also enlightens the poet to appreciate and appreciate the beauty of abstract philosophy.Therefore,the aesthetic subject and object have gradually formed the relationship between transcendence and nether harmony in the aesthetic observation.The second part is the analysis of the aesthetic process of metaphysical poetry in Wei and Jin dynasties.The concept of “taking nothing as the foundation” in the discussion of traditional Chinese philosophy provides a rich and profound ideological basis for the creation of metaphysical poetry.After the natural scene enters the poet’s aesthetic vision,it touches and inspires the poet’s thinking about metaphysics.Finally,through the description of the natural scene,it makes every effort to express the intention outside the object.The third part mainly discusses the beauty of emotion and reason embodied in poetry.As an indispensable and important part of metaphysical poetry,reasons brings pure and mysterious beauty to poetry.In addition,it is also a kind of beautiful enjoyment that the poet can achieve the spiritual fit with reason.Besides,there is the beauty of rich emotions in poetry.The feelings of metaphysical poets become subtle and implicit under the overall planning of reason,which also forms the unique beauty of metaphysical poetry.The fourth part explores the aesthetic ideal of “harmony” embodied in metaphysical poetry.Taking “harmony” as beauty has far-reaching aesthetic connotation.While metaphysical poem reflects the poet’s constant pursuit of “harmony” of the ideal personality and the realm of poetry.The above four levels,from the outside to the inside,excavate all aspects of the beauty embodied in the metaphysical poetry in the Wei and Jin dynasties,so as to extract the substantive connotation of the spiritual level in the poetry,and strive to make a specific analysis and elaboration on the deep and rich spiritual connotation and unique and wonderful aesthetic characteristic in the metaphysical poetry.