A Study On Zheng Xianfu’s "Four Books Wing Note Paper"

As a famous Zhuang writer in Guangxi in the Qing Dynasty,Zheng Xianfu’s works are abundant,but most scholars still focus on his life research,poetry and prose research,poetry theory research and the introduction and overview of his literary achievements and works,while there are few studies specifically on his Confucian classics work "notes on the wings of four books".Most of them involve the author from the macro direction,or focus on the author’s attitude reflected by the classics.Therefore,it is essential to make a systematic combing and Research on the writing process,annotation and evaluation characteristics,book citation and current literary criticism of Zheng Xianfu’s four book wing annotation paper,so as to outline the evolution track of the four book annotation in the Qing Dynasty and clarify the complex development of the four book annotation and current literary criticism in the Qing Dynasty.In the introduction part,the author first makes an overall review of the current academic research on Zheng Xianfu,further promotes Zheng Xianfu’s "four book wing note paper",and defines the research priorities,difficulties and innovative significance of this paper.The first chapter examines the completion of zhengxianfu’s Si Shu Yi Zhu paper,and comes to the conclusion that Zheng Xianfu’s Si Shu Yi Zhu paper was completed in the second to fourth years of Daoguang,which was a writing process that lasted for many years.The main part was completed during Wu Shisheng’s house and published in the fifth year of Guangxu;The style adopted is the reading style prevailing in the Qing Dynasty;In terms of academic orientation,Zheng believes that the four books wing notes paper is not an imperial examination current article for seeking fame,but a work with the academic concept.The second chapter investigates the literature types and basic characteristics of self annotation and quotation annotation of zhengxianfu’s "four books wing annotation thesis",and analyzes and summarizes that zhengxianfu focuses on the annotation and annotation of Han and Tang Dynasties,the annotation of song,yuan and Ming Dynasties and the textual research of Qianjia in Qing Dynasty.The third chapter makes quantitative statistics and trend analysis on the bibliography cited by Zheng Xianfu in his "Si Shu Yi Zhu Pian".Through statistical analysis,it is concluded that the overall citation orientation and theoretical orientation of Zheng’s "Si Shu Yi Zhu Pian" is the Neo Confucianism tendency of the song and Ming Dynasties,which focuses on the interpretation of righteousness.It is compiled for the teaching of Si Shu and the examination of eight part essay in the song,yuan,Ming and Qing Dynasties.The fourth chapter combs and counts the current articles of different genres in the Ming and Qing Dynasties cited by Zheng in his Si Shu Yi Zhu paper,summarizes the characteristics of Zheng’s current article criticism,and Zheng’s recognition of Fang Bao’s current article ideas,critical opinions,literary history construction and other aspects with reference to Fang Bao’s Si Shu Wen.Generally speaking,Zheng’s current article criticism in his Si Shu Yi Zhu paper is mainly based on Zheng’s personal critical opinions,Supplemented by the "four books" related to the current text concept.The conclusion part is the elaboration of the contents and corresponding viewpoints of each chapter of this paper,as well as the reflection on the deficiencies in this paper.The table in the appendix is the statistics of the number of ancient books cited by Zheng Xianfu in the paper on the wing notes of four books.