Ishikawa Kosai's Chinese Poetry Creation And Sinology Researc

Ishikawa Kousai(1833-1918)was a Japanese Sinologist who spanned the Edo,Meiji and Osho periods.During the Meiji period,he served as the editor of the Sinology Bookstore and the Confucian teacher of the Sinology Specialized School "Suubunkan",and founded the Chinese poetry and prose magazine.As a great scholar of Chinese studies,Ishikawa Kousai’s works can be classified into four categories: the first is the creation of Chinese poetry and prose,such as a collection of ghost stories in Chinese,Yasokidan,and a collection of Changhe poems,Zhi Shan Yi Xiao;the second is the research and writings,such as Suubunkan for the relevant courses of the handout Santaisikougi,Tang and Song eight literature handout,the Spring and Autumn Period Zuoshi biography handout" and so on;the third is the annotation of historical books,such as the Annotated History of the Five Dynasties and the Annotated Edition of the Eighteen Historical Sketches etc;the fourth is the compilation of poetry and literature introduction reference books,such as the Xin Zhuan You Xue Bian Lan: Shi Xue Zi Zai,Chu Xue Bi Xie Shi Wen Su Cheng,Shi Fa Xiang Lun,as many as 50 kinds.The quantity and quality of these published works show that Ishikawa made great efforts in the creation of Chinese poetry and the poetic method of Chinese poetry,and achieved many achievements.Therefore,Therefore,the analysis and research are centered on the collection of poems Zhi Shan Yi Xiao,which was composed by members of the embassy in Japan in the late Qing Dynasty,and the handout of his Chinese poetry class Santaisikougi,so as to grasp the achievements of Ishikawa Kousai in Chinese poetry.The first chapter is a introduction of Ishikawa Kousai,and categorizes his writings.It is found that these works were written,compiled and published after Ishikawa Kousai moved to Tokyo,and they were concentrated in the ten years from 1877 to 1887.It can be seen that this was the prosperous period of Ishikawa Kousai’s writing and writing,and it was also his The period when the identity and status of sinologist were established.Ishikawa’s writing activities in the past ten years was based on three aspects:his role as the editor of the Sinology Bookstore,his contacts with literati in the late Qing Dynasty,and his role as a Confucian teacher at Suubunkan.The second chapter mainly analyzes the Changhe poems of Ishikawa Kousai and the members of the embassy in Japan in the late Qing Dynasty.The first section introduces the background of the times,the composition of the poets,and points out that Ishikawa Kousai was the first Japanese sinologist to sing poetry and communicate with the first embassy in Japan.Zhi Shan Yi Xiao is the first collection of Changhe poems and essays sung by Qing envoys and Japanese people.Zhi Shan Yi Xiao was the first collection of poetry collection sung by Qing envoys and Japanese people.The second section is based on the occasion of the reward singing,from the private singing between Ishikawa Kousai and the various Qing envoys,and singing of gatherings or excursions between Ishikawa Kousai and Qing envoys.Analysis shows that the whole collection of poems reflects Ishikawa Kousai’s proactive attitude in dealings with Qing envoys.The third section analyzes the Changhe poems created by Ishikawa Kousai at the Chongyang Poetry Conference and Xiuxi Poetry Conference held by Li Shuchang several times.Compared with the Changhe poems in Zhi Shan Yi Xiao,the theme of these poems were more concentrated,and the artistry of these poems were also improved to a certain extent.The third chapter mainly studies the Santaisikougi written by Ishikawa Kousai for the Chinese Poetry Class of Suubunkan.The first section sorts out Zhou Bi’s San Ti Shi introduction to Japan and the evolution of its interpretation in Japan.The second section analyzes the annotation characteristics of the seven-character quatrains in Ishikawa Kousai’s Ishikawa Kousai,which can be summarized into three points: opposition to penetrating theory,preference for fairy allusions,and materia medica annotation method.The third section studies the annotation characteristics of the Chinese metrical verse in the Santaisikougi.That is to classify each poem according to the grammatical classification of Du Fu’s verse.This section mainly analyzes Ishikawa Kousai’s understanding of rhythm theory.Take as an example of Guiti Ge,Yiyi Ge,Jiaogu Ge,Jiexiang Ge,and Jiejieshengyi Ge,which are common to both five-character-regular-verse and seven-character-regular-verse.The conclusion part is a summary of the whole paper.It summarizes the diverse and in-depth research of the above chapters on Ishikawa Kousai,his poems,and his poetry research lecture notes.