A Comparative Research On Sino-Japanese Proletarian Poetry

The Sino-Japanese proletarian poetry, as an important part of the world proletarian literature, brings a revolutionary tide in Asia from the early twentieth Century to1930s, which sings the strongest voice of the times. Poem critics and poets make new attempts on the theoretical construction and creative aspects of poetry, which widen the road for the development of modern Chinese poetry. Although the development of Chinese proletarian poetry indelibly has the imprint of Japan, Chinese poets make their proletarian poetry glow with brilliance through their continuous efforts in the special historical environment.The problems of relationship between China’s and Japan’s modern literature are paid much attention by Academics, and it is beneficial to try to select proletarian poetry as a breakthrough point. Because it can not only distinguish their development, but also reveal the general law of the development of poetry. Besides, it will comb the reasons of the occurrence, development, and the downfall of literature phenomenon. Then it is able to provide new perspective in the research of proletarian literature.Studying on Sino-Japanese proletarian poetry is mainly developed from the following aspects:In the first chapter, the method of researching influence is mainly used, in which their forming processes are shown. The paper analyzes the causes from the two aspects of external and intrinsic influence, evaluating the positive and negative effects, providing a basis for the later chapters.In the second chapter and the third chapter, the method of parallel study is used. From two aspects of theory and creation, the paper analyzes the similarities and differences shown in the development of Sino-Japanese proletarian poetry. Because the theoretical development of them is roughly the same, the second chapter mainly discusses the differences. At the same time, because both in creation have their own characteristics and development differ, on the basis of the third chapter, similarities are summarized and analysis from the poetry creation of content and form, explaining the their characteristics of harmony but not sameness.Of course, this extension of this thesis is very broad, so the perspectives of researching are multivariate. Even though it cannot contain all perspectives, this paper that researches from the perspective of poetry is beneficial attempt.