The Research On The Application Of Chongqing Regional Soundscape In Films Under Auditory Culture

The films are the art combining the audio and the visual.However,the audio is usually oppressed by the visual,and then hidden and dissolved the existing meaning.Based on the thoughts of the relationship of the visual and the audio,this research acts the Chongqing as the sample of films of the location.Taking Chongqing rich regional soundscape in films as the research object,this paper analyzes the content of the individual text in Chongqing film history and carries out the interdisciplinary integration-related fields,like film studies,soundscape and auditory culture.And based on the relationship between soundscape and sociology and anthropology,this paper probes into the application of chongqing regional soundscape in movies.Chongqing regional sound scene reappearance and expression of the film,deconstruction and reconstruction image of the city and regional culture space,arousing and extend the significance and role of the audience identity,and thus puts forward auditory perception in the film creation and importance of urban construction,called for auditory inspired popular whole body awareness,to promote the development of film and city view.This paper constitutes of six chapters.The first chapter is an introduction that discusses the context of the thesis topic.It also highlights the significance of the research,the research purpose,the content,and technical route of this paper,as well as the existing researches on auditory culture,soundscape theory,and film soundscape from both theoretical and practical perspectives.Chapter II examines regional soundscapes of Chongqing in historical films and categorizes its.Chapter III delves into the practical implications of using regional soundscapes of Chongqing in films from three aspects: cultural,spatial,and emotional dynamics.Chapter IV makes a postmodern analysis of the application of chongqing regional soundscape in the film.In the enhanced visual spectacle of the image,the application of regional soundscape in the film is manifested as the opposition and coexistence of new and old city soundscape,the collage and reorganization of multiple soundscape,and the heterogeneity of cross-text soundscape space.Chapter V reflecting on the suppression of vision,this paper proposes that auditory sense becomes an important way to perceive and link the world again in the enlightening application of regional soundscape,to utilize hearing to assist films overcome the illusion of visual primacy,and to construct a “hyper-tribalized” city.Chapter VI serves as a conclusion to the preceding paper,with the goal of gradually focusing on,developing,and improving the collaboration of many organs of the public body in the future,hence expanding opportunities for cinematic art and urban development.