| The Zuojiang rock paintings reflect the metaphor system from the Warring States Period to the Eastern Han Dynasty in the Zuojiang area,as well as the cultural psychology of the ancestors of the Zhuang that is closely related to this metaphor system.The drawing of rock paintings is the way of witchcraft ritual culture of the ancestors of the Zhuang,and it is also the means of the ancestors to express their emotions and sustenance their visions.This article attempts through to a large number of paintings to comb,images and historical documents research,inductive paintings creation of content,explore the creation motive,draw the ethnic group to discover intrinsic cultural connotation contained in image,tries to fully mapped out in the image creation ethnic group-belonging in content and artistic features of ethnography in the order,It clearly shows the cultural essence of the creative ethnic group beyond the superficial appearance.There are five chapters in this paper.The first chapter is the introduction.The second chapter starts from the geographical and cultural environment of Zuojiang rock painting,summarizes the natural appearance and cultural characteristics of the rock painting,and makes basic preparations for the exposition of the content of the next chapter.The third chapter,from the perspective of iconology,interprets zuojiang rock paintings from the outside to the inside,comprehensively summarizes the painting content,creation reasons and cultural psychology of the creative family,and makes systematic demonstration based on rich and representative images and historical materials.The fourth chapter focuses on analyzing and studying the ethnographic content of Zuojiang rock painting on the basis of the third chapter.The ancient Luoyue clan living in The Zuojiang River Basin is located in the southwest of China and influenced by natural and social environment.Its behavior,folk activities and cultural legends have unique regional manifestations.The Zhuang evolved from the ancient Luoyue clan,so it is inevitable that it retains and inherits many relics of primitive culture in the development process,such as the folk dragon-boat race and dog worship,etc.This chapter aims to conduct an objective and comprehensive analysis of this content.Fifth chapter based on the overall condition of rock art image and give the viewer’s subjective emotion,from the aesthetic Angle,from the image in the form of organization structure,the characteristics,artistic style from three aspects of creation in the 600 years of drawing remains in the artistic features of the similar analysis,trying to analysis summary zhuang creation law of rock,The objective presentation of the subjective feelings and thoughts of the ancestors is sorted out,and the enlightenment to the discussion and research of other rock paintings is obtained.The purpose of this thesis is to sort out the ideological concepts,folk activities and literary legends mapped from the rock paintings through the investigation and analysis of the rock paintings,and to compare with the current ideology,culture and folk customs of the Zhuang people,and try to clarify the relationship between the Zuojiang rock paintings and the rock paintings.The relationship between the origin and the origin of the local Zhuang people.Therefore,the investigation of Zuojiang rock paintings not only has a prominent position in the study of the social history of ethnic minorities,but also plays an indispensable role in the study of artistic aesthetics. |
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