The Iconographic Study Of The "Skeleton Fantasy Painting"

In the history of ancient Chinese painting,there were images that accurately and meticulously displayed the internal structure of the human body.In the Southern Song Dynasty,Li Song,a native of Qiantang(today’s Hangzhou,Zhejiang),painted the "phantom play of skeletons" with the help of a humorous technique to vividly show two human skeletons in front of children.The skeletons in the painting are like real objects,the overall proportion is harmonious,and the details at the joints are "very impressive".The realistic tendency of the skull phantom play should be traceable.From the Tang Dynasty to the Song Dynasty,the painting style of this period had a realistic tendency,which was related to the social background,cultural customs and other factors at that time,and also reflected the profound philosophical connotation.This paper mainly uses the methods of observation,comparative research,literature research,interdisciplinary research and other research methods to analyze the similarities and differences between the large skeleton and the real human skeleton in the skeleton fantasy,and demonstrates that the author’s description of the skeleton in the painting is based on the combination and observation of the real human skeleton.At the same time,this paper further analyzes the realistic origin,customs and Humanities of the painting by restoring the background of the times in many ways The evolution of religion.On this basis,a horizontal comparison of human bones in western paintings is made to view the natural view of Song people concerned about the combination of "God" and "form" from another perspective.