| This paper aims to explore the uniqueness of xu Daoning’s brush and ink in the early Northern Song Dynasty from the aspects of brush and ink inheritance,brush and ink techniques and artistic conception in “Qiujiangyutingtu”.In the form of prose works in combination with the image characteristics and several other northern song dynasty landscape painting of ink transverse comparison and objective analysis,summed up the Xu Daoning in early learning techniques of Li cheng’s ink,in later life and learning after the “natural” painted“Qiujiangyutingtu” show the characteristics of “Wild brush and ink” and “Ink and wash”,And on this basis formed a “southern rhyme and northern style” of ink artistic conception,which is a special existence in the whole northern Song Dynasty painting circle.At the same time,the spirit of bold breakthrough and innovation contained in the character of the pen and ink is of great value to the author’s practice of sketching and creation. |