View Of Life And Deat

Although death is regarded as the end of life time,the demise of productive forces,and the decay of the flesh,the discussion and exploration of death in human society has never stopped.This paper does not ask about the nature of death,but takes death as the motif and combines sociology,psychology,aesthetics,theology and other related theoretical disciplines to explore the icons and semantics of death that were born in different cultural contexts and concepts of life and death in different periods of time.Variety.Throughout the history of China and the West,technological progress and cultural development have made death images undergo a transformation from divine redemption to humanistic self-examination in religion,from blind panic to rational treatment in medical treatment,and in artistic expression.The transition from the art of painting to the narrative of design.The various radical ideological trends formed after the boom of modern technology,culture and art have not only had a huge social impact on the practical level of death images,but also inspired extraordinary anti-traditional energy at the conceptual level,providing a rich narrative for death images.Perspectives and dissemination paths.By collecting death images from various historical periods in China and the West,this paper sorts out a relatively complete evolution of death images,and conducts in-depth design interpretation,religious meaning,visual language and picture narrative of death images.Explore and understand the corresponding relationship between death icons and semantics under the influence of different political and cultural backgrounds and multiple contexts of these images,as well as the visual and cultural values they reflect,which inspires contemporary artists and designers to create multiple creations and designs on the theme of death.thinking.