On The Role And The Significance Of The Artistic Expression Language Of Oil Painting In The Creation Of "Object-Vision-Motorcycle"

The theme of this graduation project is "Object-Vision-Motorcycle"."Object-Vision" is a concept that expresses ideas,a feeling that appeals to senses,and a phrase that integrates understanding and perception.It can be said that the "object" is a reference to a physical object,a reproduction of an actual scene,or an expression of the painter’s emotion in his presence.The "vision" is not only the presentation of "things",but also the object of artistic expression in the painter’s artistic activity.This paper firstly analyzes the principle of oil painting by using motorcycle as the theme of painting,based on the systematic mastery of oil painting techniques,Bell’s theory of "meaningful form" and Arnheim’s principle of "Gestalt psychology",and conducts multi-dimensional observation and thinking,and analyzes the works of many famous artists from home and abroad and study the elements and techniques of their oil paintings in depth,so that we can fully learn and master the oil painting techniques of our predecessors and explore the diversity of painting in the language of contemporary art,as well as explore the mystery of the language of oil painting expression and clarify the principles of creative methods and practice.In order to make the paper writing and discussion technique principle combination,from the composition of the idea to the refinement of the object of the work,the corresponding technique performance of the relevant works are analyzed in detail,in order to make the painting creation has been synchronous with the theoretical analysis.In this creative practice,the author seeks to practice and research about the expression of painting language on oil painting from the perspective of painting practice combined with relevant theories and with the help of the analysis of domestic and foreign artists’ works.When analyzing the language of painting,the author follows the principles of "the language of form is a vehicle for communication between people and objects" and "the language of color is the first language of painting that people encounter when they read paintings".And for how to express the image of motorcycle painting,and how to weigh the subjective feelings and painting language,the author strives to find effective and feasible painting methods through a lot of practice,expands the creative will to the interpretation of materials and painting language,uses the method of combining theoretical research and practice to study painting techniques,and strives to achieve the promotion of new knowledge points(new techniques)in the practice of painting self-transformation,so that the painting can achieve the materialization of the situation.Because of this,"Object-Vision-Motorcycle" is able to combine contemporary oil painting techniques with traditional realistic techniques,and expand the formal language of contemporary oil painting art in the creation of exploring the nostalgia of oil painting depicting motorcycles.