From Heterogeneity And Diversity To Mutual Integration And Symbiosis: A Multi-dimensional Interpretation And Comprehensive Study Of The Co-production Film Culture In Ira

Since the Islamic Revolution in 1979,Iran’s new film movement has continued to exert its power,successfully driving the creation of films in the Middle East.In order to avoid the paradoxical situation brought about by film censorship,new Iranian film directors are good at exploring and reconstructing the ancient Oriental Persian civilization and modern aesthetic consciousness in a stylized way,forming a forward-looking innovative position of film that combines consciousness,expression paradigm and narrative techniques.A new wave of film directors,from Abbas Kiarostami,Mohsen Makhmalbaf,Samira Makhmalbaf to Asghar Farhadi,Majid Majidi to Jafar Panahi,Mohammad Rasoulof,joined the trade.They are good at integrating the personal level of consciousness writing,the spiritual dimension of cultural forging and the technical field of style trend into the global image vision,and build the emotional expression of eastern image and the pioneering exploration of international context.Since 1900,with the iterative improvement of the division of labor in the global film and television industry,regional film cooperation has gradually become the norm.Iranian government agencies are trying to win more international discourse under the us-led hegemonic sanction pattern.At the same time,as the film industry is in urgent need of more economic financing,Iranian co-production films break through the encirencirement and absorb strangely,interacting and playing games in different regions and countries.Under the eastern landscape,the convergence of tomato evolution has formed a cultural resonance magnetic field of modernity.With the academic perspective of cross-cultural communication as the main theoretical guidance,this paper makes a panoramic description from the cultural and historical dimensions,political economy,film and television cultural industry,sociology,ethics and aesthetics and other auxiliary research directions.On this basis,it conducts a directional and continuous review through specific film and television text cases of Iranian co-productions.This paper makes a comprehensive exploration and analysis of the development motivation,operation potential,restriction dilemma and industry overview of Iran’s co-production film,and comprehensively grasses the multi-dimensional interpretation and comprehensive exploration of Iran’s co-production film culture.This paper focuses on the analysis and study of the development context and architecture mechanism of Iran’s co-production film culture,and considers the casestudy of Iran’s coproduction film as a basic search,and makes a forecast and prospect of the potential and trend of Iran’s future cooperation with China’s film and television industry.The thesis consists of introduction,five main chapters and conclusion.The first chapter of the introduction discusses the historical opportunity of the 50 th anniversary of the establishment of diplomatic relations between China and Iran and the realistic demand of boosting Iran’s industry.Second from dimensions of comprehensive research background and significance,moreover to the actual operation path in this paper,research methods,finally,from the domestic and foreign literature review section and are horizontal Angle,through to the academic literature in the field of wholesale carding analysis,good grasp of the current issues at the forefront of theory for this article research the groundwork.The second chapter mainly describes the censorship mechanism,international status of Iranian films and the logical motivation of co-production of films.Through the review and summary of ontology issues,the linkage between various style elements of Iranian co-production of films is grasped.The third chapter describes the new normal of Iran’s transnational cultural products.Through in-depth exploration of the growth environment,survival conditions,development status and homogeneity of cooperation and dialogue,the built-in structure of Iran’s co-production films is revealed.The fourth chapter focuses on the heterogeneous characteristics of cultural integration of Iranian co-productions.Starting from the two modes of "East-West dialogue" and "East-East dialogue",this chapter,through the systematic analysis and comparison of existing text cases,helps to grasp the construction principle of heterogeneity from the analytical perspective of cross-cultural integration.The fifth chapter starts with the universal value of mutual integration of Iranian coproduction film cultures.The vertical clarification from the theme orientation and common value is not only a review of the previous research results,but also a foreshadoving expansion of the future prospects of China-Iran co-production films.The sixth chapter interprets and expounds the development status of China-Iran co-production films and the general situation,and estimates and anticipates the future development mode of China-Iran co-production films.