A Study Of The Types Of Lishu In The Late Qing Dynasty And The Republic Of China

As one of the five bodies,Lishu has an important significance in the history of calligraphy.In the late Qing Dynasty and the Republic of China,Lishu played a role in the history of the development of Lishu.The Lishu of this period not only inherits the legacy of the Lishu of the Qing Dynasty,but also has new features.Summarizing and summarizing the Lishu of this special historical period is of great benefit to the study of Lishu.The first chapter of this article first provides an overview of the Qing Dynasty and the Republic of China,and sorts out the development of the Republic of China lishu and the important lishu writers in the late Qing Dynasty.The second chapter divides the types of calligraphers who are good at the Republic of China at the end of the Qing Dynasty,and is divided into three categories,one is to pay attention to the fagu chengshi;the other is to pay attention to the study of new materials,taking the fa jian mu and the second kun;and the other is the lishu with a mixture of book styles.The Fagu inheritance class is divided into more emphasis on inscription inheritance and inheritance for a certain family.The mixture of calligraphy is subdivided into three types: combination of kai li xiang,xingcao li li,and seal li combination.The third chapter summarizes the characteristics of the Republic of China’s Lishu as the relics of the Qing Dynasty,the beginning of the spirit,a wide range of methods,a variety of forms,a mixture of fonts,a blend of inscriptions,and the four characteristics of ancient style and regional strength.The fourth chapter expounds the enlightenment of the Lishu of the Republic of China at the end of the Qing Dynasty to the study of Lishu,which is divided into two aspects: calligraphy concept and Lishu creation.