A Study Of Peking Opera Elements And Modern Techniques In Chen Yi's Work

Since the 1990s,a large number of music works created by Chen Yi,"the most accomplished Chinese female composer",have been paid great attention and sought after by domestic and foreign scholars.The main characteristic of his music works is the continuous collision and fusion of the charming Oriental music culture and western modern creative ideas,such as Oriental tone and Oriental timbre.Traditional music materials such as folk songs,ancient poems and Peking Opera music are fully innovatively used in her creation.On this basis,Chen Yi leads a new style of Chinese contemporary music creation with a brand new musical language.The author selected three style of the musical genre different but equally to Beijing Opera elements as the dominant music material piece of music works: piano "Duoye",mixing chamber music "Fiddle suite" third movement "dance",a string quartet "At the Kansas City Chinese New Year Concert" the first movement "talking fiddle" as the research object.Based on the combination of traditional music analysis techniques and modern music analysis techniques,this paper tries to analyze and study the three music works from multiple perspectives and multiple thoughts,starting from the material sources,theme forms and structural styles of the three music works.This paper consists of introduction,text and conclusion.Among them,the introduction makes a brief introduction on the origin,research background,research purpose and research significance of this topic,and related research overview.The text is divided into four chapters.The first chapter gives a brief introduction to the source of Composer Chen Yi’s "Peking Opera complex" and the creation background of three works with Peking Opera elements selected by the author,providing background support for the practical research in the following part.The second,third and fourth chapters are the core chapters of the whole paper.The second chapter refines and sorts all Peking Opera elements used by Chen Yi in her three works,and studies her characteristic application of The melody and tone of Peking Opera,as well as the hidden Peking Opera elements in Pan-Beijing cavity.The third chapter,under the control of the analysis of the overall structure and style of his works,reveals the modern multiple creative thinking contained therein.The fourth chapter is the analysis and research of other characteristic modern structural force elements creation techniques,through the analysis of their tonal thinking and rhythm form to insight into their unique use of modern techniques.Full use music as main research basis,with audio and video data from the overall to local and whole in-depth research and analysis,work analysis theory,the integrated use of literature research,music analysis,the methods of comparative research of music works on deep analysis,to explore the musical genre formed by the complex of Peking Opera and its unique music language.