The Influence Of "Tianfa God Prophecy Tablet" On Seal Script Creation In Qing Dynasty

During The Three Kingdoms period,the seal script of The State of Wei was only the seal script in the Three-body Stone Classic,while the state of Wu had the famous "Zen Mountain Monument" and "Tianfa God Prophecy Monument"."Heaven god prophecy tablet" imposing momentum,official script as seal script,round as the square,and the Qin and Han seal script law is very different.This tablet was paid attention to in the Tang and Song dynasties,but it was not until the Qing Dynasty that a calligrapher took this tablet.In the early Qing Dynasty,the seal script was mainly in the style of Li Si and Li Yangbing.During the Reign of Emperor Kangxi of the Qing Dynasty,there appeared a monographs on the science of gold and stone.This tablet in the Qing dynasty calligraphy circle is valued and has an outstanding position,which is reflected in the qing people’s understanding and practice of this tablet,rubbings and postscripts and works,as well as some written records of treatise,this phenomenon is related to the historical background of the Qing Dynasty.Most of the calligraphers who took this tablet after the Qianlong period,such as Jin Nong,Deng Shiru,Ruan Yuan,Dashu,Wu Rangzhi,Xu Sangeng and other calligraphers,have integrated the tablet’s ideas in their posts and creations,forming a unique personal style.This monument in jiaqing ten years fire burned,rubbings spread.