Analysis Of The Artistic Characteristics And Singing Of Schumann’s Vocal Divertimento Frauenliebe Und-Leben

This paper takes the song cycle,Frauenliebe und-leben,composed by German composer Schumann in the Western Romantic period as the object of study.This paper discusses the artistic characteristics of this piece on the basis of its composition background,and analyzes the problems to be paid attention to in singing.The background of the composition is mainly reflected in three aspects,the poetic and musical cultural background of the Romantic period,the high consciousness of the composer’s creative consciousness,and the spiritual inspiration of the composer’s pursuit of love.In the analysis of the artistic characteristics of this piece,the characteristics of the characters are firstly discussed.I think they are reflected in the following four aspects,the ignorance and fluttering in the stage of love,the vision and joy in the stage of first marriage,the satisfaction and expectation in the stage of motherhood,and the pain and helplessness in the stage of celibacy.In terms of the ontological characteristics of the music,it is reflected in the following four aspects,the general song style and the diversity of forms,the harmony combining function and color,the elastic and scalable tempo and intensity,and the high degree of fit between the vocal melody and the accompaniment.In the analysis of the singing of this piece,first of all,this paper discusses the treatment of the sense of speech and voice in the song cycle with the examples of Seit ich ihn gesehen and Du Ring an meinem Finger.Then this paper explains the relationship between lyrics and music and the grasp of accent and sense of speech in singing.Finally,this paper summarizes the practical perception from the author’s learning and singing point of view.