" For the Piano" breaks the original suite form and traditional harmonic usage,improves the traditional musical form and combines it with complex harmonic changes,breaking the musical concept of melody lines as the main part and harmonic color changes as the auxiliary.This paper takes Debussy’ s piano suite "For the Piano" as the research object,combines theory with performance and practice,starts from each section,makes specific analysis for different technical difficulties and gives corresponding practice methods.There are three chapters in this paper.The first chapter introduces the particularity of The work " For the Piano" in Debussy’ s whole piano writing career through the influence on his writing career.The second chapter focuses on the analysis of music ontology in "Written for the Piano",which is divided into three sections: musical style characteristics,structural analysis and two representative aesthetic characteristics.The third chapter is the research on the playing skills of "For the Piano".This chapter is the key research object of the whole paper,which is divided into three sections: "the application and practice of touch keys"," the presentation of picture color sense" and " the rational use of pedals".Analysis of its creation characteristics and the integration of music color and how to reproduce emotions through technical practice,the purpose is to better imitate the picture with timbre when playing this song,and strive to achieve an accurate grasp of impressionism music and Debussy music style. |