Singing Analysis Of Grassland Songs

As an outstanding representative of contemporary young composers,Li Yan has a wide range of creative fields,rich in the field of his work,and has made great achievements in the field of popular music and the creation of national vocal works,and is a powerful new composer,and his vocal works have also won many awards in national competitions.In recent years,the ancient poetry art songs he has created have a high-grade style and beautiful melody,realizing the perfect combination of modern aesthetic concepts and classical poetry images,and are exemplary works that meet the mainstream aesthetic requirements of modern culture.Therefore,while studying the creative style and singing of Li Yan’s ancient poetry and art songs,it can also let us understand the mainstream cultural trend of contemporary Chinese vocal works creation,absorb the essence of traditional Chinese culture,take classical poetry as the basis for creation,through the condensation and processing of modern composition techniques,integrate his own creative ideas,and finally converge into his unique creative style.This article will combine the requirements and concepts of the current Chinese artistic aesthetics,classify the vocal works style of Li Yan,a contemporary young composer in China,and through the study and combing of Li Yan’s ancient poetry and art songs,the three of them,"Phoenix Seeking Phoenix","Bai Tou Yin","Butterfly Love Flower,Threshold Chrysanthemum Sorrow And Orchid Weeping Dew",and the ancient poetry art songs sung in the personal master’s concert are analyzed and sung,focusing on their creative characteristics and summarizing the singing points of Li Yan’s ancient poetry art songs.This article will be divided into four chapters to sort out and explore;the first chapter about Li Yan’s artistic career,divided into two sections,the first section of Li Yan’s personal introduction,the second section of Li Yan’s creative achievements;the second chapter of Li Yan’s vocal works to study and classify the creative style,divided into three sections,the first section is a strong regional minority vocal works,the second section is a vocal work that worries about the great love of the people of the motherland,the third section is a vocal work that fits the theme of the current Chinese style;the third chapter is the creation and analysis of Li Yan’s ancient poetry and art songs,divided into two sections.The first section is the background of creation,the second section is the stylistic characteristics;the fourth chapter is the singing exploration of Li Yan’s ancient poetry and art songs,divided into three sections,the first section is the singing analysis of "Feng Qiu Phoenix",the second section is the singing analysis of "Bai Tou Yin",the third section is the singing analysis of "Butterfly Love Flower",of which each section is divided into three aspects,the first is the original text and analysis of the poem,the second is the analysis of the work,and the third is the analysis of the singing.