| Ancient poetry art songs have always played an important role in Chinese vocal music works.In recent years,they have been widely sung by college learners all over the country,and often appear in various concerts and competitions at all levels.Vocal music learners carry forward the traditional culture of the Chinese nation by singing ancient poetry classics,and ancient poetry art songs also usher in unprecedented development opportunities.Among them,Li Yan ’s ancient poetry art songs have attracted much attention,such as ’ Feng Qiuhuang ’ butterflies love flowers,’ Baitou Yin ’ and so on.In the process of learning and singing such works,it can not only improve the singer ’s singing ability,but also improve their literary literacy.The bel canto requires transparent voice,pure tone,strong plasticity,suitable for the performance of ancient poetry art songs with profound artistic conception.Therefore,we choose to explore the bel canto of Li Yan ’s ancient poetry art songs as the research content,and take the two works of Li Yan ’s ancient poetry art songs in the personal master ’s concert ’ Two Acacia " Butterfly Love Flowers · Courtyard Deep and Deep " as an example to explore.Firstly,an overview of Li Yan ’s ancient poetry art songs is given to understand the creation background of Li Yan ’s ancient poetry art songs and two ancient poetry.Secondly,it analyzes the works of two Li Yan ’s ancient poetry art songs,and deeply explores the poetic artistic conception and music creation characteristics of the works.Again combined with their own singing practice,in the use of breath,voice method,articulation,stage performance four aspects of detailed research and analysis.Through three parts of progressive research content design,in order to help bel canto singers improve the emotional expression ability and artistic expression of Li Yan ’s ancient poetry art songs. |