A Study On The Object-describing Xiao Fu Of The Han Dynasty From The Perspective Of Stylistics

Object-describing Xiao Fu is a type of Fu that is divided in terms of subject matter and genres,and it is a unique type in Han Fu works.This style began in the pre-Qin period and flourished in the Han Dynasty.There are a considerable number of existing Han Dynasty Object-describing Xiao Fu with rich themes.They are unique in terms of writing techniques and style,and have far-reaching influence on the creation of later Objectdescribing Xiao Fu.From the perspective of stylistics,the paper mainly discusses the stylistic origin,stylistic generation,stylistic characteristics and the infiltration connection between Object-describing Xiao Fu and other styles of Han Dynasty.As a kind of Futi,the origin of Object-describing Xiao Fu can certainly be examined in the context of the origin of Fu,but its own institutional characteristics cannot be ignored.Shi Jing and Chu Ci,as the two major sources of fu,also contain the Objectdescribing Xiao Fu.The Object-describing in The Shi Jing is still in the early stage,but its four-character sentence pattern,rhyme method,and bixing technique have all affected the creation of the Xiao Fu."Ju Song","Li Song","Lan Fu" and other works handed down or unearthed in the Chu Ci type,the way of writing objects and the way of expressing emotions are directly inherited from the Xiao Fu of the Han Dynasty.Xun Fu,the unearthed "Yin Shu" and "Xiang Shu" all have the characteristics of riddle,and they have inspired Xiao Fu in writing and describing the shape of things,and created Objectdescribing Xiao Fu to carry out things from multiple angles and levels.the way it is depicted.Object-describing Xiao Fu finalized in the Han Dynasty and became a unique style of fu.It has a considerable number of creations and is closely related to the social background of the Han Dynasty.At the beginning of the Han Dynasty,the feasting and entertainment of the literati of the Vassal state literature group was the opportunity for the rise of the Han Dynasty.At the same time,the development of handicraft industry and commodity economy in the Han Dynasty accelerated the circulation of commodities and provided a material reference for the prosperity of Object-describing Xiao Fu.In addition,the prosperity of the Han Dynastys Object-describing Xiao Fu is also closely related to the decline of politics in the middle and late Eastern Han Dynasty and the secular consciousness of the scholar of the Han Dynasty.The characteristics of the structure of the Object-describing Xiao Fu are mainly based on the different themes,forming different describing patterns.The describing patterns embodies Fu Jias thinking on how to deal with the relationship between "object" and "people" when describing objects,and it is also the embodiment of the inner structure of works.The stylistic characteristics of Object-describing Xiao Fu are also reflected in the aspects of form,style and function.Its styles are poetic,showy,elegant in style,or witty,and its functions are also in praise of praise,satire,discipline,entertainment,and lyricism.There are great differences between Xiaofu and Dafu in terms of system,subject matter and technique,but they also blend and influence each other.There is a phenomenon of confusion between Object-describing Xiao Fu and Song,Zhen,and Ming.The fundamental reason for this phenomenon is that the standards for naming different styles are different.This confusion also reflects the interpenetration and influence of many styles in the Han Dynasty.influence.Under the influence of Song,Zhen,and Ming and other stylistic styles,the stylistic function and aesthetic style of Object-describing Xiao Fu have become more enriched and diversified.