Research On Nude Painting Of Female Painters In The Republic Of China

The title of this thesis is“Research on Nude Painting of Female Painters in the Republic of China”,mainly to study the creative practice of nude painting by female painters of the Republic of China in the early 20^thcentury,and to explore the presentation of nudes from a traditional male perspective.Through the analysis of specific works,the artistic language of nude painting in this period is summarized,and the changes in female psychology and aesthetic consciousness hidden behind the images are deeply explored.Flowing the trend of the times,the female painters who traveled west have organically captured the expressive features of Western painting art,added elements of traditional Chinese folk painting,created nude images with oriental charm,and opened up a path for the localization of Western painting in China.Realize the development of painting art under the integration of Chinese and Western.The article is divided into three parts.First,it expounds the education and environment of women’s painting during the Republic of China,from the environment of women’s learning to painting to the expression of the social status,and explores the reasons for the emergence of nude painting.Second,focuses on analyzing the artistic language of female nude painting in the Republic of China.First of all,the themes of nude painting written by different female painters in this period are classified and summarized.Secondly,by citing the works of female painters such as Pan Yu Liang,Fang Jun Bi,Guan Zi Lan,etc,it analyzes the characteristic of nude painting in detail,from the four aspects of line,composition,color,and feminine symbols.Finally,it explores the causes of female nude painting,specifically from the awakening of female consciousness,the unique expression of emotion,and the display of oriental sentiment.Third,at the end of the article,try to explore the impact of female nude painting during the Republic of China.As a result,the nude paintings of female painters in the Republic of China basically showed the expression of the self and uniqueness of early female artists in the construction of painting and subject consciousness.