| Huangping "youb fangb" is a transliteration of The Miao language,also known as "was dias youb".It is an emotional entertainment and social activity for young miao men and women.As an important cultural event of the "Hmong" branch of the Miao ethnic group in Huangping,You Fang shows specific time and space,crowd classification,identity and aggregation.The development of traveling is embedded in the village’s daily life and the pulsation of sacrificial rites at the age of age,which has become an important field for young people to form self-identity,partner and group identity.This paper takes huangping Miao folk music as the research object,selects three Miao villages as the field investigation points,and puts miao folk music into the miao background for three-dimensional investigation.Love Song of the Tour is the prerequisite for marriage in the traditional Miao society,and yufang music is the embodiment of the wisdom of men and women.Through the ontological research on the ethnic characteristic and regionalism of the music,the music is analyzed from the traditional miao culture and the etiquette of the music,and the relationship between music and culture is explored to explore the local people’s music concept and the cultural connotation contained in music.In the music of yufang,men are difficult songs on the left and women are simple songs on the right,which reflects the important position of music of both sexes and the harmony of Yin and Yang in Love Song of the Tour music.In the wandering music,love and song closely follow each other,fully expressing inner feelings through collective feelings and personal feelings,and expressing feelings through songs;The age,position and behavior of men and women in the playground are restricted.When singing,men and women have certain attention to the order and principle of the song.In the concept of "Hmong",understanding "li" is equal to understanding "li",who understand "li" is worthy of admiration,is also one of the important criteria for women to evaluate men.With the spiritual and cultural needs of modern society,miao songs reflect the characteristics of musical diversity from melody,tune or accompaniment instruments.Taking Miao singers Lei Asa,Wu Changsheng,music producer Pan Jun and singer A Youduo as examples,this paper analyzes the inheritance and dissemination of miao folk music in Huangping.As a kind of singing behavior that permeates daily life,"Hmong" Love Song of the Tour music tradition is unusual in its "universal acquisition" and "universal participation".That is to say,everyone is an insider to some degree in the central area of the popularity of Love Song of the Tour music.Individuals in different stages of their lives will directly or indirectly participate in the tradition of traveling with different identities,ways and behaviors,and take this as an important means to enter the social network of people,establish personal identity and structure interpersonal relationships. |