Research On Image Shaping Of The Folk Craftsman In Humanistic Documentaries

Since the beginning of the new century,my country’s economic and social development has presented a series of new phased characteristics,new changes have occurred in economic and cultural life,and the creation of documentaries has flourished.Influenced by the development of traditional culture,policy system and digital technology,the development of humanistic documentaries is even richer and more diverse.Documentary creators have made great progress in the production level and content expression of documentaries,and have created a series of documentaries.Excellent work.Behind these works,there are a large number of typical character groups who carry the function of cultural dissemination and inherit and carry forward the tradition.Among them,the traditional craftsmen group is restricted by historical and economic problems,and the living space is gradually shrinking,and they are rejected by modernization.questions that provide narrative objects for the creation of such documentaries.The craftsmen who used to be full of street markets in their lives have also dropped sharply with the changes in the form of social industries,but it is gratifying that no matter how the times develop and change,with the enhancement of national confidence in traditional culture and the implementation of cultural protection policies,craftsmen will be They will no longer disappear from our lives,and their morality and spirit of adhering to "keeping the arts" is still a true portrayal of the vitality of Chinese culture that has endured for a long time.The craftsman’s old craftsmanship represents not only ancient things,but also a living culture that has been passed down from generation to generation.Every old craft is a living example of regional culture,and has accumulated thousands of years of ancient wisdom.Therefore,when we explore the problem of image building of craftsmen,we inevitably have to think: what kind of story does the creator tell through these craftsmen? What is the social significance of their image-making? In what way and means should we perfectly shape the rich image of the craftsman? In order to solve the above problems,the author tries to find the answer in today’s excellent works and practice.Based on the excellent film in recent years and the practical experience of the graduation work "Fingertip Memory",this paper studies the image shaping of folk artisans in humanistic documentaries in a logical way.The full text is divided into six parts.The introduction part is the general leader of the full text.This part mainly introduces the research background and research significance of this paper,and conducts an academic history of several concepts such as "character images in documentaries","folk craftsmen" and "craftsman image building".On the shoulders of predecessors,I have a deeper understanding of the image building of folk craftsmen.This chapter also introduces the research methods of this paper,formulates the research framework of the paper,and proposes innovative points of the research.The first chapter,concept exposition,is the programmatic chapter of the full text.The author sorts out relevant documents and materials through literature research,interprets and defines the concepts of "humanistic documentary" and "image of folk craftsmen" involved in this article,and on this basis,sorts out the evolution of the image of craftsmen in various periods.,discusses the evolution process of craftsman’s image shaping method from single to multiple.The second chapter mainly summarizes the images of folk craftsmen.This paper selects documentaries from 2010 to now,which mainly focus on folk craftsmen,focusing on the living conditions and consciousness changes of ordinary craftsmen in the process of social change,and analyzes and summarizes the image building of folk craftsmen in humanities documentaries.Under the background of social changes,the typical craftsman images in the documentary are divided according to the "typical characteristics of characters",and they are connected with the development of modern society and regional culture to explore the humanistic spirit.The third chapter mainly analyzes the shaping of the image of folk craftsmen by audiovisual language.The image of a craftsman is divided into an internal image and an external image.Taking the excellent documentaries in recent years and the author’s graduation work as examples,the role of audiovisual language on the internal and external images of the artist is analyzed,and how Shape the inner and outer image of the craftsman.By comparing and analyzing the different character-building methods in the works,it summarizes the different image types of folk craftsmen in humanistic documentaries,as well as the strategies and principles of image-building.The fourth chapter selects the graduation works "embroidery" and "fingertip memory" as specific cases to summarize the thinking on the image building of folk craftsmen in the creative process.Mainly using the method of field investigation,combined with the graduation work fingertip memory to refine and summarize,this paper summarizes how to shape the image of folk craftsmen in humanistic documentaries from the three aspects of film theme expression,audio-visual expression and creator participation expression,and explores the possibility of documentary creation from simple reproduction to more in-depth and more essential art.The concluding section summarizes the problems of shaping the image of folk craftsmen,and provides some feasible suggestions for future documentary creators who pay attention to such subjects.