The planarization painting language is different from the traditional painting language.It gets rid of the bondage of reproducing nature in painting creation and pays more attention to the subjective feelings of artists.The plane painting language weakens or even eliminates the three-dimensional sense of space and volume in the creation,so as to weaken the depth of the picture,simplify the image form,to show the image in the form of almost flat painting,weaken or even ignore the contrast between light and shade of the picture,so that the work presents a two-dimensional visual effect.Planarization language has gradually become an indispensable expression form of painting language in contemporary artists’ painting creation.It enables artists to more subjectively express their real feelings of objective nature and life,and more directly express artistic aesthetics and concepts.In this paper,the study of flat painting language in urban landscape oil painting is the subject,and combined with the author’s painting creation,guided by theory and practice,in-depth study on how flat painting language is presented in the work.This paper is divided into introduction and three chapters to elaborate,in addition to the introduction of the research background,research purpose and significance,research methods and research status.The first chapter mainly expounds the concept,development and expression of oil painting language.From the perspective of art history to sort out the development of oil painting language on the plane,and combined with the artist’s works to analyze oil painting language on the plane performance characteristics.The second chapter focuses on the use of planarization language by artists in urban landscape oil paintings.Study the painter’s use of planarization language and painting thinking from his works,in the process of analyzing the painter’s works to learn the painter’s expression techniques of picture reconstruction.The third chapter mainly summarizes the practice of plane language based on the author’s works.This paper expounds the reason and creation process of the author’s choice of planarization language,and describes how to express it in the work from the sources of topic selection,the plane of composition,geometry of modeling,subjectivity of color,texture expression,and finally summarizes the problems and thoughts in the creation.Through the analysis of the planarization language in the works,we can not only carry out the understanding of its language characteristics,but also make better use of the planarization theoretical knowledge to assist the creation practice.Through continuous practice to improve the ability to create works,deepen the understanding of painting language,and form a unique form of picture expression. |