The Same Sky And Different Land:Cross-Cultural Study Of Sino-Japanese Co-Production Films

In recent years,with the deepening of economic globalization,co-production films have gradually become an important means for Chinese films to go to the world.Today,China and Japan are the world’s second and third largest film markets respectively,playing an increasingly important role in the world film market,and the film cooperation and exchanges between China and Japan are becoming closer and closer.However,driven by commercial capital,Sino-Japanese co-production films inevitably have some cultural characteristics: first,it focuses on material culture and consumer culture,which is formed to meet the consumer demand of society;Second,it does not have real "subjectivity".In most cases,it is built according to the Western cultural demands led by Hollywood.Under the impact of Hollywood commercial films,the real challenge faced by Chinese and Japanese filmmakers is how to obtain their own audience without being assimilated by the western film model.For Sino-Japanese co-production films,to win their own audiences,the first thing is to expand the cultural identity and resonance between Chinese and Japanese audiences,narrow each other’s cultural misunderstanding and estrangement,and change each other’s stereotypes.Based on this,this paper introduces the poem "mountains and rivers are different,the wind and the moon are the same day" on the package of Japan’s anti epidemic assistance to China in 2020.Starting from the history of Sino Japanese ideological and cultural exchanges,this paper carries out a cross-cultural study on various cultural phenomena in Sino-Japanese co-production films.The whole paper consists of five parts,including the introduction and four chapters: the introduction mainly introduces the research background,significance,innovation,and the related research status at home and abroad;The first chapter mainly combs the history and current situation of SinoJapanese co production films,and defines the related concepts and research categories of Sino-Japanese co-production films;The second chapter discusses the cultural identity and emotional resonance in Sino-Japanese co-production films from the perspectives of cultural tradition and social reality;The third chapter analyzes the cultural misunderstanding and estrangement in Sino-Japanese co-production films from both negative and positive aspects;The fourth chapter is the summary of the full text,which specifically summarizes the discussion of various cultural phenomena in Sino-Japanese co production films under the Asian narrative,and prospects the future of Asian films.Facing the future,Sino-Japanese co-production films should become a bridge to deepen cultural exchanges and communication with each other,rather than a catalyst to accumulate cultural prejudices and stereotypes.In this regard,we should give full play to the communication function of film in the process of cultural communication,such as "breaking down barriers,enhancing recognition,and establishing a sense of connection",constantly create diversified ways of thinking and value judgment paths under the intercultural thinking,and explore an "Asian Film" road different from the West in the cross-cultural film exchange and cooperation.