Exploring The Practical Use Of Lee In-sung’s Painting Language In Creative Writing

At the beginning of the 20th century,modernist art became the mainstream in the West.It reflected the important political,economic,spiritual and cultural changes in this era,as well as the rich and complex thoughts and feelings of people in this era.Artists in this period lost their balance in the relationship between society,people and nature,expressed pessimism and disappointment towards real life,and pursued abstraction,expressiveness and symbolism in their painting language.The influence of this Western modernist art trend and schools of thought has spread all over the world.The Korean Peninsula,which is still ravaged by war,is deeply influenced by this trend of thought and has had a profound repercussions in the local area.The modernist art of Joseon(South Korea),on the one hand,the wave of French Impressionism and Post-Impressionism in the 19th century still has its aftermath here.Innovate on the basis and explore new ways of painting;On the one hand,influenced by the 20th century Western modernist artistic trend,the people of Joseon(South Korea)continue to reflect on political,cultural and national perspectives,reflecting the effects of war on people.The mental trauma reflects the love of the Joseon(South Korean)people for the country and the nation.Lee In-sung,as the most influential modernist painter in this period,embodied the painting forms in these two aspects.Lee In-sung’s early painting style was deeply influenced by Impressionism,Post-Impressionism and Fauvism,which has a lot to do with his study of Impressionist painting in Japan.After Lee In-sung returned to China,he integrated this artistic style with the domestic painting art style,localized the Western modernist artistic language and expression,and formed a unique and influential "local lyricism"..The formation of Lee In-sung’s artistic style of painting has gone through the "generic period of Lee In-sung’s painting artistic language--Impressionist tendency","the transformation period of Lee In-sung’s painting artistic language-the post-impressionist tendency","The forming period of Lee In-sung’s painting artistic language--Fauvism Tendency" and "The Stereotype of Lee In-sung’s Painting Artistic Language-Lyricism of Local Sentiment".Lee In-sung’s artistic style of "Lyricism of local feelings" not only contributed to the diversity of Joseon(South Korean)modernist paintings,but also greatly promoted the modernization process of Joseon(South Korean)painting art.In the history of Korean modern art,there are many painters who were influenced by Lee In-sung’s painting style,such as Park Sang-woo who followed Lee In-sung’s pastoral landscape painting style,Park Sang-ok who followed Lee In-sung’s landscape painting style in terms of painting language,and some who painted with Lee In-sung in the early stage.Art language as the basis,and later formed their own unique painting styles such as Kim Hong-soo,Park Heng-sub,Park Chang-don and Choi Young-rim.On the basis of this research,combined with the national lyricism of Lee In-sung’s painting art,I inspired my creation of the theme of the edge of the modern city,the sunset of the sea,and the fall of night,so as to declare the mental state of urban people such as loneliness,anxiety,anger,boredom,and depression.