Study On The Expression Of Tibetan Themes In Chinese Contemporary Sculpture Creation

The purpose of this article is to systematically summarize the content and form of Tibetan sculpture and understand its development.As the focus of the study,the expression of formal language explores the change process of the basic form,content and presentation mode of contemporary Tibetan sculpture in China.The study of contemporary Tibetan sculpture in China is carried out in the frame of figurative sculpture.Because the sculpture related to ethnic group is difficult to completely break away from the influence of traditional factors.Compared with contemporary sculpture,the artistic image of contemporary ethnic theme sculpture is more in line with the objective reality.Its main breakthrough lies in the use of materials,the intervention of humanistic spirit and humanistic care,the generation of ideas and the selection of artistic objects pay more attention to the real life and spiritual state of ordinary people,and modern and contemporary secular objects also appear in sculpture."Theatricalization" heralds a contemporary change in the way of presentation.Artistic images no longer stand tall on a pedestal,but narrow the distance between works and viewers in a creative environment,allowing viewers to have a deeper understanding of what the author wants to express.This paper summarizes five methods of expression of contemporary Chinese Tibetan sculptures,attempts to explore their future development,finds out the gap between the current and other contemporary sculptures,and finds the shortcomings of the current development.The last chapter is my work,mainly from the perspective of humanistic spirit,humanistic care and theater,on the basis of materials through some ways to make it have contemporary value and significance,reflecting my understanding of contemporary Tibetan theme sculpture.