On The Application Of Spatial Expression Form Of Panoramic Landscape Painting In My Creation In The Northern Song Dynasty

The Song Dynasty was in a "big era" of profound transformation in the development history of traditional Chinese landscape painting.The artists absorbed and developed the concept of the former to reproduce nature,and integrated with their new and unique brushwork and ink expression techniques.The development of landscape painting in the Song Dynasty presented a situation of inheriting the past and opening up the future.The landscape painting in the Song Dynasty was more immersed in the realistic desire to embrace simplicity,self-restraint and natural ink and wash,which made the Song Dynasty the peak of the development of landscape painting art.The theoretical concepts and the performance of ink and wash techniques of artists in artistic creation have become the basic issues to be studied by later generations.The theoretical concept needs to master the basic artistic theory of landscape painting from its emergence to the Song Dynasty,and clarify the inheritance and elaboration of the previous painting concepts by the artists of the Song Dynasty.Explore the performance of brush and ink techniques,and present the characteristics of the development and reproduction of landscape painting art in the Song Dynasty.The spatial expression form of panoramic landscape painting in the Song Dynasty is not only the traditional artistic and cultural basis of which we are proud in the development of Chinese landscape painting,but also a lesson from our experience in practical creation.The article is divided into three parts.The first part discusses the evolution process of landscape painting image display and layout concept under the guidance of the concept of reproduction of natural cognition,which was produced in the Five Dynasties and matured in the Northern Song Dynasty,from the "theory of picture truth" in Jing Hao’s."The Record of Brush Techniques".The second part analyzes its unique performance methods through the discussion of panoramic landscape;Explore the aesthetic tendency of panoramic landscape,and analyze the application of pen and ink and the three-way method in representative works with examples;The third part is about the practical application and creative experience of panoramic landscape combined with the author’s creation.