On The Organic Relationship Between Small Props And The Inner Manifestation Of Actors

Props "are a theatrical element that has been nurtured since the beginning of drama,existing and presented on stage.According to the classification criteria for props,they are classified by volume,and those that can be manipulated by actors and have flexibility are called "small props".There are thousands of ways in which actors can express their characters’ inner thoughts.Due to the limitations of the character’s identity,personality,character relationships,and prescribed contexts,actors need to choose the most suitable way of expression for the character.The function of small props is bidirectional,as they help actors showcase the inner activities of characters.Actors can use small props to demonstrate strong vitality in stage performances.The reasonable use of "props" by actors not only better integrates the character’s identity,personality,character relationships,and prescribed situations,but also fully presents the character’s psychological activities during emotional bursts and concentrated conflicts,and makes the actor’s reaction more accurate.Therefore,the author will focus on the relationship between props and the inner externalization of actors in this article,and will conduct a specific analysis of the role of props in the character’s inner expression through the original drama "Sunflowers".This article focuses on the relationship between props and actors’ inner externalization,and is divided into three parts: the first part explains the definition and role of props;The second part,combining the creative characteristics of classic drama works and the original drama "Sunflowers",elaborates on the organic connection between small props and inner expression.The discussion is divided into four levels: first,enhancing the actor’s sense of faith and enriching stage action;The second is to stimulate the emotional transformation of actors and affect the changes in stage rhythm;The third is to showcase complex psychological activities and intensify conflicts in drama;The fourth is to promote the transformation of character relationships and promote the rapid development of the plot.The third part,based on the original drama "Sunflowers",explores the extension and reflection of the role of small props in the inner expression of actors,including the rationality of the use of small props and the profound connotation of small props.The author elaborates on the relationship between props and the inner expression of actors through the creation of original plays,hoping to provide some reference for the secondary creation of relevant creators.