Rebirth Of Tradition:The Enlightenment Of Dunhuang Mural Painting To The Creation Of Oil Painting In China Today

Shi Tao once put forward the idea that brush and ink should follow The Times in his works.As one of the earliest birthplaces of world civilization,Chinese painting model dates back to the history of thousands of years.Under the background of today’s times,how to find their own position in the trend of The Times is a problem we need to think about.As Chinese oil painting workers,how to take root in the tradition,based on the present,to create Chinese oil painting with Chinese spirit is also a topic that we need to continue to explore.Based on this kind of thinking,it is of great significance to inherit and innovate the study of Chinese traditional painting modeling techniques.Each era has the nature and inevitability of an era.The development of painting is also constantly changing in line with the tide of The Times.Therefore,it is necessary to inherit and innovate.Starting from Dunhuang,the research on line and color is carried out because the technique of mural painting is close to that of oil painting,while retaining the artistic style of traditional Chinese painting.The key point of my research is how to reflect and apply its artistic value in my creation.Techniques serve the spirit,draw nourishment from the tradition,combine with domestic research representatives,and explore and implement from line modeling and color.This article discusses from the following aspects:The first chapter of the paper briefly describes the main characteristics of Dunhuang traditional painting modeling,and analyzes the significance of its line elements and color elements,so as to make a macro grasp of the characteristics of Dunhuang line and color.In the second chapter,this paper focuses on the inheritance of Dunhuang plastic art techniques in oil painting creation,following the first part of the line and color from the symbolic reflected in oil painting.This part discusses symbolism and representative figures in domestic research with examples,briefly describes the performance of symbolism in domestic research representative figures,and closely links with their works to grasp their main characteristics.Then through combing and studying the practice of the symbolic lines and colors in the creation of Dunhuang frescoes,the relationship between the modeling elements of early Dunhuang frescoes and modern and contemporary oil painting creation is expounded.The third chapter of the paper studies the realistic significance of the lines and colors of traditional modeling and their inspiration to my creation,and expounds the practical results of the integration of oil painting and the symbolic meaning of traditional Chinese plastic arts.