| Art songs have rich connotations and high artistic value,making them a brilliant gem in the development process of music in China.Art songs originated in Europe and have had their own characteristics influenced by different historical factors since their introduction to China.The Chinese art songs of the 1980 s have condensed the hard work and dedication of many senior musicians,reflecting distinct characteristics of the times and humanistic spirit,and have milestone significance.Therefore,the Chinese art songs of this period are worth our in-depth research.This article focuses on the Chinese art songs of the 1980 s,using the two concert tracks "The Land of Love" and "Ah! The Land of China" as examples to analyze and explore.The aim is to accumulate theoretical foundation and summarize practical experience for future stage practice and work learning,and at the same time,it is expected to provide some reference and assistance for vocal learners.This article is divided into four chapters.The first chapter mainly provides an overview of the development of Chinese art songs in the 1980 s,including a review of previous developments,the background of the era at that time,and the specific development situation.Chapter 2discusses the stylistic characteristics of Chinese art songs in the 1980 s,starting from the themes and techniques.Chapter 3 takes two works performed in a master’s solo concert as examples to conduct a detailed analysis of the works.Firstly,the creative background,secondly,the musical structure,and finally,the lyrics.Chapter 4 mainly explores the application of sound technology,emotional investment,and stage action design of the two songs in detail based on one’s own professional practice and understanding.In addition,it discusses how the two songs were learned and prepared before the concert. |